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ld do what you've done, he might live," she said. Marchmont nodded gravely; it was easy to see the odd way in which his action fitted into the drama of her life. "But we've no hills," she went on. "You leave London--all London means--to wander on hills, high glorious hills; he'd leave it for a villa, a small villa at a seaside place." "Metaphors again?" "It comes easier to talk in them sometimes. And I--I'm of my husband's way of thinking." "I don't believe it," he said again, but looking at her now with a little touch of doubt. "You'll never come back, will you?" she asked. "Never," said he with a quiet certainty. She rose with a restless sigh and walked to the fireplace. "I couldn't," he went on. "I'm not fit for it; that's the end of the matter. Use your own term of abuse. I shall hear plenty of them." "I don't want to abuse you," she said. She walked quickly over to him, gave him her hand for a moment, and then returned to her place. "But it makes me feel rather strange to you." She looked full at him with a plain distress in her eyes, and her voice shook a little. "I'm coming to feel more strange towards you," she went on. "I thought we had got nearer at Ashwood, we did for the moment. But now I'm farther off again." "I would have you always very near," he said in low tones, his eyes saying more than his lips. "I know. And perhaps you've had thoughts----" She paused before she added, "Alexander's quite set on his course, nothing will stop him--except the thing that I expect to stop him. You know what I mean?" Marchmont nodded again. "And he's doing it a good deal because of me. I wonder if you understand that?" "I don't know that I do." "No; he knows more of me than you do." She became silent, and he, watching her, was silent too. What was this strangeness of which she spoke? He felt it too but without understanding it. It caused in him a vague discomfort, an apprehension that some obstacle was between them, something more than any external hindrance, a thing which might perhaps remain though all external hindrance were removed. Her last words both puzzled and wounded him with their implication of a deeper sympathy between Quisante and herself than existed or could exist between her and him. That he did not understand, and could not without giving up his own idea of her, the May Gaston which, as she said, he had made for himself. Was his image gone indeed? Had Alexander Quisan
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