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Project Gutenberg's The Poems of Giacomo Leopardi, by Giacomo Leopardi This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Poems of Giacomo Leopardi Author: Giacomo Leopardi Translator: Frederick Townsend Release Date: September 19, 2006 [EBook #19315] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE POEMS OF GIACOMO LEOPARDI *** Produced by Barbara Tozier, Bill Tozier, Daniel Emerson Griffith and the Online Distributed Proofreading Team at http://www.pgdp.net THE POEMS OF GIACOMO LEOPARDI TRANSLATED BY FREDERICK TOWNSEND NEW YORK AND LONDON G. P. PUTNAM'S SONS The Knickerbocker Press 1887 COPYRIGHT BY R. T. TOWNSEND 1887 Press of G. P. Putnam's Sons New York TO M. N. M. SISTER OF THE TRANSLATOR THESE POEMS ARE AFFECTIONATELY INSCRIBED BY THE EDITOR PREFACE. Giacomo Leopardi is a great name in Italy among philosophers and poets, but is quite unknown in this country, and Mr. Townsend has the honor of introducing him, in the most captivating way, to his countrymen. In Germany and France he has excited attention. Translations have been made of his works; essays have been written on his ideas. But in England his name is all but unheard of. Six or seven years ago Mr. Charles Edwards published a translation of the essays and dialogues, but no version of the poems has appeared, so far as I know. Leopardi was substantially a poet,--that is to say, he had imagination, sentiment, passion, an intense love of beauty, a powerful impulse towards things ideal. The sad tone of his speculations about the universe and human destiny gave an impression of mournfulness to his lines, but this rather deepened the pathos of his work. In the same breath he sang of love and the grave, and the love was the more eager for its brevity. He had the poetic temperament--sensitive, ardent, aspiring. He possessed the poetic aspect--the broad white brow, the large blue eyes. Some compared him to Byron, but the resemblance was external merely. In ideas, purpose, feeling, he was entirely unlike the Englishman; in the energy and fire of his style only did he somewhat resemble him. Worshippers have
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