interest in the stones, without
having the leisure or opportunity of following up the elaborate stages
by which certain conclusions have been arrived at. In short, it is a
plain statement of the facts about Stonehenge which may serve either
as a guide to the visitor, or as a useful remembrance of his visit.
STONEHENGE
"Salisbury Cathedral and its neighbour Stonehenge are two eminent
monuments of art and rudeness, and may show the first essay and
the last perfection in architecture."--_Dr. Johnson, letter to
Mrs. Thrale_, 1783.
Stonehenge is one of those historical monuments which possesses the
disadvantage of a reputation. The first impression is always one of
disappointment, the circle appears so much smaller than it really is
by reason of its isolated situation. Its proportions are dwarfed by
the wide expanse of downland which surrounds it. This feeling of
disappointment, however, gradually gives place to one of wonder, as
the stones are approached more closely, and their bulk is seen in true
proportion. The diameter of the outer circle of stones is 108 feet, or
almost exactly that of the internal diameter of the Dome of St.
Paul's. A casual glance even at the monument is sufficient to show
that its basic form is intended to be a circle. The earthwork which
girdles the stones is circular and 300 feet in diameter. Within this
stands the remnant of a circle of 30 upright stones, bearing imposts
upon them; within this again is what was once a circle of smaller
stones. Inside these three outer circular forms are two others, shaped
like a horseshoe. The first consisted of the five large "Trilithons,"
huge pylons of stone, comprising two uprights and an impost; standing
separate, while in front of them is the remnant of a horseshoe of
small upright stones, similar to those which comprise the inner circle
of the monument.
[Illustration: Upright stones shaded--Prostrate stones in outline.]
At first it may seem difficult to disentangle the chaos of fallen
stone which meets the eye; but when once the original design of the
structure is grasped, it becomes easy to piece together again in
imagination a work which even in the light of modern and scientific
engineering presents very considerable difficulties and problems.
Lying flat within these concentric circles and horseshoes is a single
flat tabular block generally known as the "Altar Stone." From this
slab, now almost buried beneath the remains o
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