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word has been said as to the arrangement of mortice and tenon, by which the Trilithons are keyed together. This has been done purposely, in order that the constructional questions relating to Stonehenge should, as far as possible, be dealt with together, and in due order. In the outer circle of Trilithons each upright had two tenons worked on its apex, to bear the two lintels or horizontal stones which rested upon it. Corresponding mortices were sunk in those stones to admit the tenons. In the case of the Trilithons of the Inner Horseshoe, only one tenon on each upright was necessary. Further, the ends of the lintels of the outer circle were shaped so as to dovetail into one another, and form what is known as a "toggle" joint. This can easily be seen to-day, in the group of three Trilithons which lie between the Altar Stone and the Hele Stone. This careful arrangement, of mortice, tenon, and toggle, has doubtless very much to do with the comparative stability of Stonehenge at the present day. Had these simple but effective measures not been taken, it would not be exceeding the bounds of possibility to say that to-day the ruin would have presented a mass of fallen stones, and the task of their reconstruction would be well-nigh impossible. [Illustration] Evidently the early mason found the cutting of these tenons by no means an easy task, for, with two exceptions, the workmanship is not remarkable. Luckily for the observer to-day the tenon on the remaining upright of the Great Trilithon is very strongly marked, and stands out boldly on its apex, thus affording a clue to those existing on other stones. The mortice holes were easier to accomplish. A small depression may have been made first of all, and then a round stone inserted with sand and water. In this way a smooth hollow could soon be worn. This principle is and has been applied by stone-using peoples in all quarters of the globe. The rough dovetailing of the lintels of the outer circle would present no difficulty to users of the tools already mentioned. To-day the surfaces of the Sarsens bear undoubted signs of weather, but in the Stonehenge of yesterday the Sarsens were beautifully finished with rough tooling all over their surface. This final finish was achieved by the Quartzite Hammers (Class IV.). A very beautiful piece of this work was discovered by Mr. Gowland in 1901. In the process of raising the upright of the Great Trilithon, a thin slab of that p
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