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ht-measure phrases, mixing the first and fourth species. CANTI FIRMI [Illustration: Fig. 72.] LESSON VIII COMBINING THE FOURTH SPECIES WITH THE OTHERS All previous rules for combining species still apply. In combining the fourth species with other than the first, the following intervals may be used on the first half of the measure, in addition to those mentioned in Lesson VI: When the counterpoint is below, the fourth, fifth and seventh in suspension, and the ninth in retardation; and when above, the fifth in suspension, and the seventh in retardation; but in every such case the part having other than the fourth species must skip to some other chord-tone before resolving the suspension. [Fig. 73.] [Illustration: Fig. 73.] The leading-tone may be doubled as in Fig. 74. Here the leading-tone that is prepared skips to some other chord-tone, while the new leading-tone remains stationary. [Illustration: Fig. 74.] The minor or diminished seventh, major or minor ninth, may be used as preparation of a suspension in either part, provided it is approached by a skip in an upward direction, and is consonant with the other part, or is one of the permitted dissonances. [Fig. 75.] [Illustration: Fig. 75.] The fourth species may be combined with the second or third species, and two or three notes syncopated may be written in one part with six in the other. [Fig. 76.] [Illustration: Fig. 76.] EXERCISES To the cantus firmus write one counterpoint above and one below, in the fourth species. Write one eight-measure phrase each, of the following combinations: The fourth species with the second; the fourth with the third; two notes syncopated against six notes; and three notes syncopated against six notes. Write some in major and some in minor. [Fig. 76.] CANTUS FIRMUS [Illustration: Fig. 77.] LESSON IX FIFTH SPECIES: FLORID COUNTERPOINT [Illustration: Fig. 78.] Florid counterpoint is a mixture of the second, third and fourth species. In addition to these species eighth-notes may be used in groups of two on the second and fourth quarters of the measure. Both notes should be approached and left stepwise, with the exception that the first may be taken by a skip. [Fig. 79.] [Illustration: Fig. 79.] Not more than one and one-half measures of any one species should be used continuously in one part. [Fig. 80.] [Illustration: Fig. 80.] In the use of quarter-notes
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