erred to a more or less
elevated position on a central stem, and having, in that relation, the
lowermost petal diminished, contrary to the almost universal habit of other
flowers to develope in such a position the lower petal chiefly, that it may
have its full share of light. You will find nothing but blunder and
embarrassment result from any endeavour to enter into further particulars,
such as "the relation of the dissepiment with respect to the valves of the
capsule," etc., etc., since "in the various species of Veronica almost
every kind of dehiscence may be observed" (C. under V. perfoliata, 1936, an
Australian species). Sibthorpe gives the entire definition of Veronica with
only one epithet added to mine, "Corolla quadrifida, _rotata_, lacinia
infima angustiore," but I do not know what 'rotata' here means, as there is
no appearance of revolved action in the petals, so far as I can see.

17. Of the mythic or poetic significance of the veronica, there is less to
be said than of its natural beauty. I have not been able to discover with
what feeling, or at what time, its sacred name was originally given; and
the legend of S. Veronica herself is, in the substance of it, irrational,
and therefore incredible. The meaning of the term 'rational,' as applied to
a legend or miracle, is, that there has been an intelligible need for the
permission of the miracle at the time when it is recorded; and that the
nature and manner of the act itself should be comprehensible in the scope.
There was thus quite simple need for Christ to feed the multitudes, and to
appear to S. Paul; but no need, so far as human intelligence can reach, for
the reflection of His features upon a piece of linen which could be seen by
not one in a million of the disciples to whom He might more easily, at any
time, manifest Himself personally and perfectly. Nor, I believe, has the
story of S. Veronica ever been asserted to be other than symbolic by the
sincere teachers of the Church; and, even so far as in that merely
explanatory function, it became the seal of an extreme sorrow, it is not
easy to understand how the pensive fable was associated with a flower so
familiar, so bright, and so popularly of good omen, as the Speedwell.

18. Yet, the fact being actually so, and this consecration of the veronica
being certainly far more ancient and earnest than the faintly romantic and
extremely absurd legend of the forget-me-not; the speedwell has assuredly
the higher