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e the perfect reasonableness of this. Restraint, soberness, the matured thought, the unselfish act, they are necessities of the barbarous state, the life of dangers. Dourness is man's tribute to unconquered nature. But man has conquered nature now for all practical purposes--his political affairs are managed by Bosses with a black police--and life is joyous." He looked at the dancers again. "Joyous," he said. "There are weary moments," said the little officer, reflectively. "They all look young. Down there I should be visibly the oldest man. And in my own time I should have passed as middle-aged." "They are young. There are few old people in this class in the work cities." "How is that?" "Old people's lives are not so pleasant as they used to be, unless they are rich to hire lovers and helpers. And we have an institution called Euthanasy." "Ah! that Euthanasy!" said Graham. "The easy death?" "The easy death. It is the last pleasure. The Euthanasy Company does it well. People will pay the sum--it is a costly thing--long beforehand, go off to some pleasure city and return impoverished and weary, very weary." "There is a lot left for me to understand," said Graham after a pause. "Yet I see the logic of it all. Our array of angry virtues and sour restraints was the consequence of danger and insecurity. The Stoic, the Puritan, even in my time, were vanishing types. In the old days man was armed against Pain, now he is eager for Pleasure. There lies the difference. Civilisation has driven pain and danger so far off--for well-to-do people. And only well-to-do people matter now. I have been asleep two hundred years." For a minute they leant on the balustrading, following the intricate evolution of the dance. Indeed the scene was very beautiful. "Before God," said Graham, suddenly, "I would rather be a wounded sentinel freezing in the snow than one of these painted fools!" "In the snow," said Asano, "one might think differently." "I am uncivilised," said Graham, not heeding him. "That is the trouble. I am primitive--Paleolithic. _Their_ fountain of rage and fear and anger is sealed and closed, the habits of a lifetime make them cheerful and easy and delightful. You must bear with my nineteenth century shocks and disgusts. These people, you say, are skilled workers and so forth. And while these dance, men are fighting--men are dying in Paris to keep the world--that they may dance." Asano smiled fain
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