e the perfect reasonableness of this. Restraint,
soberness, the matured thought, the unselfish act, they are necessities
of the barbarous state, the life of dangers. Dourness is man's tribute to
unconquered nature. But man has conquered nature now for all practical
purposes--his political affairs are managed by Bosses with a black
police--and life is joyous."
He looked at the dancers again. "Joyous," he said.
"There are weary moments," said the little officer, reflectively.
"They all look young. Down there I should be visibly the oldest man. And
in my own time I should have passed as middle-aged."
"They are young. There are few old people in this class in the
work cities."
"How is that?"
"Old people's lives are not so pleasant as they used to be, unless they
are rich to hire lovers and helpers. And we have an institution called
Euthanasy."
"Ah! that Euthanasy!" said Graham. "The easy death?"
"The easy death. It is the last pleasure. The Euthanasy Company does it
well. People will pay the sum--it is a costly thing--long beforehand, go
off to some pleasure city and return impoverished and weary, very weary."
"There is a lot left for me to understand," said Graham after a pause.
"Yet I see the logic of it all. Our array of angry virtues and sour
restraints was the consequence of danger and insecurity. The Stoic, the
Puritan, even in my time, were vanishing types. In the old days man was
armed against Pain, now he is eager for Pleasure. There lies the
difference. Civilisation has driven pain and danger so far off--for
well-to-do people. And only well-to-do people matter now. I have been
asleep two hundred years."
For a minute they leant on the balustrading, following the intricate
evolution of the dance. Indeed the scene was very beautiful.
"Before God," said Graham, suddenly, "I would rather be a wounded
sentinel freezing in the snow than one of these painted fools!"
"In the snow," said Asano, "one might think differently."
"I am uncivilised," said Graham, not heeding him. "That is the trouble. I
am primitive--Paleolithic. _Their_ fountain of rage and fear and anger is
sealed and closed, the habits of a lifetime make them cheerful and easy
and delightful. You must bear with my nineteenth century shocks and
disgusts. These people, you say, are skilled workers and so forth. And
while these dance, men are fighting--men are dying in Paris to keep the
world--that they may dance."
Asano smiled fain
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