the famous Mrs. Battle died
in it was probably due to a sudden whimsical impulse. Lamb states in
"Dream-Children" that Mrs. Field occupied this room.
Page 177, line 22. _The hills of Lincoln_. See Lamb's sonnet "On the
Family Name," Vol. IV. Lamb's father came from Lincoln.
Page 177, line 11 from foot. _Those old W----s_. Lamb thus disguised
the name of Plumer. He could not have meant Wards, for Robert Ward did
not marry William Plumer's widow till four years after this essay was
printed.
Page 178, line 2. _My Alice_. See notes to "Dream-Children."
Page 178, line 2. _Mildred Elia, I take it_. Alter these words, in the
_London Magazine_, came this passage:--
"From her, and from my passion for her--for I first learned love
from a picture--Bridget took the hint of those pretty whimsical
lines, which thou mayst see, if haply thou hast never seen them,
Reader, in the margin.[1] But my Mildred grew not old, like the
imaginery Helen."
This ballad, written in gentle ridicule of Lamb's affection for the
Blakesware portrait, and Mary Lamb's first known poem, was printed in
the _John Woodvil_ volume, 1802, and in the _Works_, 1818.
[Footnote 1:
"High-born Helen, round your dwelling,
These twenty years I've paced in vain:
Haughty beauty, thy lover's duty
Hath been to glory in his pain.
"High-born Helen, proudly telling
Stories of thy cold disdain;
I starve, I die, now you comply,
And I no longer can complain.
"These twenty years I've lived on tears,
Dwelling for ever on a frown;
On sighs I've fed, your scorn my bread;
I perish now you kind are grown.
"Can I, who loved ray beloved
But for the scorn 'was in her eye,'
Can I be moved for my beloved,
When she returns me sigh for sigh?
"In stately pride, by my bedside,
High-born Helen's portrait hung;
Deaf to my praise, my mournful lays
Are nightly to the portrait sung.
"To that I weep, nor ever sleep,
Complaining all night long to her.--
Helen, grown old, no longer cold,
Said--'you to all men I prefer.'"]
* * * * *
Page 178. POOR RELATIONS.
_London Magazine_, May, 1823.
Page 179, line 10. _A pound of sweet._ After these words, in the
_London Magazine_, came one more descriptive clause--"the bore _par
excellence_."
Page 181, line 4, _Richard Amlet, Esq._ In "The Confederacy" by Sir
John Vanbrugh--a favourite part of Jo
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