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The Project Gutenberg EBook of A Son of the Gods, and A Horseman in the Sky, by Ambrose Bierce This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Son of the Gods, and A Horseman in the Sky Author: Ambrose Bierce Release Date: May, 2004 [EBook #5661] Posting Date: June 4, 2009 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A SON OF THE GODS *** Produced by David Schwan A SON OF THE GODS and A HORSEMAN IN THE SKY By Ambrose Bierce Including an Introduction by W. C. Morrow Western Classics No. Four The Photogravure Frontispiece After A Painting by Will Jenkins The Introduction Brilliant and magnetic as are these two studies by Ambrose Bierce, and especially significant as coming from one who was a boy soldier in the Civil War, they merely reflect one side of his original and many-faceted genius. Poet, critic, satirist, fun-maker, incomparable writer of fables and masterly prose sketches, a seer of startling insight, a reasoner mercilessly logical, with the delicate wit and keenness of an Irving or an Addison, the dramatic quality of a Hugo,--all of these, and still in the prime of his powers; yet so restricted has been his output and so little exploited that only the judicious few have been impressed. Although an American, he formed his bent years ago in London, where he was associated with the younger Hood on Fun. There he laid the foundation for that reputation which he today enjoys: the distinction of being the last of the scholarly satirists. With that training he came to San Francisco, where, in an environment equally as genial, his talent grew and mellowed through the years. Then he was summoned to New York to assist a newspaper fight against a great railroad, since the conclusion of which brilliant campaign eastern journalism and magazine work have claimed his attention. Two volumes, "The Fiend's Delight" and "Cobwebs from an Empty Skull" titles that would damn modern books--were collections published years ago from his work on London Fun. Their appearance made him at once the chief wit and humorist of England, and, combined with his satirical work on Fun, led to his engagement by friends o
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