FREE BOOKS

Author's List




PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   >>   >|  
t Kingsley might continue Shakspeare's historical plays. I have for several years made no secret of it, that Kingsley seems to me the genius of our century, called to place by the side of that sublime dramatic series from _King John_ to _Henry VIII_, another series of equal rank, from _Edward VI_ to the _Landing of William of Orange_. This is the only historical development of Europe which unites in itself all vital elements, and which we might look upon without overpowering pain. The tragedy of _St. Elizabeth_ shows that Kingsley can grapple, not only with the novel, but with the more severe rules of dramatic art. And _Hypatia_ proves, on the largest scale, that he can discover in the picture of the historical past, the truly human, the deep, the permanent, and that he knows how to represent it. How, with all this, he can hit the fresh tone of popular life, and draw humourous characters and complications with Shakspearian energy, is proved by all his works. And why should he not undertake this great task? There is a time when the true poet, the prophet of the present, must bid farewell to the questions of the day, which seem so great because they are so near, but are, in truth, but small and unpoetical. He must say to himself, "Let the dead bury their dead"--and the time has come that Kingsley should do so.' A great deal has been written on mistakes which Kingsley was supposed to have made in these Lectures, but I doubt whether these criticisms were always perfectly judicial and fair. For instance, Kingsley's using the name of Dietrich, instead of Theodoric, was represented as the very gem of a blunder, and some critics went so far as to hint that he had taken Theodoric for a Greek word, as an adjective of Theodorus. This, of course, was only meant as a joke, for on page 120 Kingsley had said, in a note, that the name of _Theodoric_, _Theuderic_, _Dietrich_, signifies 'king of nations.' He therefore knew perfectly well that _Theodoric_ was simply a Greek adaptation of the Gothic name _Theode-reiks_, _theod_ meaning people, _reiks_, according to Grimm, _princeps_ {1}. But even if he had called the king Theodorus, the mistake would not have been unpardonable, for he might have appealed to the authority of Gregory of Tours, who uses not only Theodoricus, but also Theodorus, as the same name. A more serious charge, however, was brought against him for having used the High-German form _Dietrich_, instead of t
PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   >>   >|  



Top keywords:

Kingsley

 

Theodoric

 
Theodorus
 

historical

 

Dietrich

 
perfectly
 

dramatic

 

series

 

called

 
critics

blunder

 
written
 

genius

 

Shakspeare

 

adjective

 
mistakes
 

secret

 

judicial

 

criticisms

 

Lectures


represented
 

supposed

 
instance
 

Theodoricus

 

Gregory

 

authority

 

mistake

 
unpardonable
 

appealed

 

German


charge
 
brought
 

nations

 
continue
 

signifies

 

Theuderic

 

simply

 

adaptation

 
princeps
 
people

Gothic

 

Theode

 

meaning

 

Hypatia

 
proves
 

severe

 

largest

 

permanent

 
discover
 

picture