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y of his forefathers, the inheritance of his blood. Who was he that he should put up a great building on the hill? What if he had risen for a little on his wings above the common flock? The night air was heavy with the scent of the late dry harvest and all that the late dry harvest meant to the man nurtured on the side of a wet hill. The sheaves of corn were stooked in his neighbour's fields. Yesterday he had sacrificed the land to the building; to-morrow he would sacrifice the building to the land. Martin Cosgrave knew, the stars seemed to know, that a message, a voice, a command, would come like a wave through the generations of his blood sweeping him back to a common tradition. The cry for service on the land was beginning to stir somewhere. It would come to him in a word, a word sanctified upon the land by the memory of a thousand sacrifices and a thousand struggles, the only word that held magic for his race, the one word--Redemption! He looked up at the building, made a vague motion of his hand that was like an act of renunciation, and laughed a laugh of terrible bitterness. "Look," he cried, "at the building Martin Cosgrave put up on the hill!" He moved to the cabin-door, his feet heavy upon the uneven ground as the feet of any of the generations of men who had ever gone that way before. He pressed the cabin-door with his fist. With a groan it went back shakily over the worn stone threshold, sticking when it was only a little way open. All was quiet, black, damp, terrible as chaos, inside. Martin Cosgrave hitched forward his left shoulder, went in sideways, and closed the crazy door against the pale world of moonlight outside. ***END OF THE PROJECT GUTENBERG EBOOK WAYSIDERS*** ******* This file should be named 13472.txt or 13472.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/3/4/7/13472 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project
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