FREE BOOKS

Author's List




PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  
t wholly alien to the experience of American matinee audiences. Disillusioned historians of our literature have instanced this unsophistication as a proof of our national inexperience; yet it is often a sort of radiant and triumphant unsophistication which does not lose its innocence in parting with its ignorance. That sentimental idealization of classes, whether peasant, bourgeois, or aristocratic, which has long been a feature of Continental and English poetry and fiction, is practically absent from American literature. Whatever the future may bring, there have hitherto been no fixed classes in American society. Webster was guilty of no exaggeration when he declared that the whole North was made up of laborers, and Lincoln spoke in the same terms in his well-known sentences about "hired laborers": "twenty-five years ago I was a hired laborer." The relative uniformity of economic and social conditions, which prevailed until toward the close of the nineteenth century, made, no doubt, for the happiness of the greatest number, but it failed, naturally, to afford that picturesqueness of class contrast and to stimulate that sentiment of class distinction, in which European literature is so rich. Very interesting, in the light of contemporary economic conditions, is the effort made by American poets in the middle of the last century to glorify labor. They were not so much idealizing a particular laboring class, as endeavoring, in Whitman's words, "To teach the average man the glory of his walk and trade." Whitman himself sketched the American workman in almost every attitude which appealed to his own sense of the picturesque and heroic. But years before _Leaves of Grass_ was published, Whittier had celebrated in his _Songs of Labor_ the glorified images of lumberman and drover, shoemaker and fisherman. Lucy Larcom and the authors of _The Lowell Offering_ portrayed the fine idealism of the young women--of the best American stock--who went enthusiastically to work in the cotton-mills of Lowell and Lawrence, or who bound shoes by their own firesides on the Essex County farms. That glow of enthusiasm for labor was chiefly moral, but it was poetical as well. The changes which have come over the economic and social life of America are nowhere more sharply indicated than in that very valley of the Merrimac where, sixty and seventy years ago, one could "hear America singing." There are few who are singing to-day in the cotton-m
PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  



Top keywords:

American

 
economic
 

literature

 
classes
 

laborers

 

century

 
social
 

cotton

 

Lowell

 

conditions


singing

 
Whitman
 

America

 

unsophistication

 

published

 

Whittier

 

celebrated

 
laboring
 

idealizing

 

images


glorified

 

endeavoring

 

attitude

 

appealed

 

sketched

 
lumberman
 
workman
 

Leaves

 
average
 

picturesque


heroic
 

sharply

 

chiefly

 

enthusiasm

 
poetical
 

Merrimac

 

valley

 

seventy

 
idealism
 

portrayed


Offering

 
fisherman
 

shoemaker

 

Larcom

 

authors

 
firesides
 

County

 
enthusiastically
 

Lawrence

 

drover