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would cost, which would not accommodate a much greater number of individuals, and which would fall to pieces after a few years. And as to housekeeping, would not one enormous kitchen replace to advantage four hundred small and ill-appointed kitchens? one vast cellar four hundred little cellars? one gigantic washhouse four hundred damp, wretched outhouses, not worthy of the name? Add to which, that much may be done in these gigantic kitchens and washhouses by the judicious introduction of a steam-engine, which might also be employed in supplying all the apartments with water. Labour, proceeding with such facility, such ardour, such enthusiasm, as it will do in the _phalanstere_, must bring in enormous profits--quadruple, as M. Fourier thinks, of what our present ineffective means produce. It is in the division of these profits that our socialist has been thought particularly happy; here it is that he introduces his famous formula, "to associate men in capital, labour, and talent," (associer les hommes en capital, travail, et talent.) The whole profits of the community are first to be divided into three portions; one for capital, one for labour, and one for talent--say four-twelfths for capital, five-twelfths for labour, and three-twelfths for talent. The portion allotted to the capitalists can create no difficulty--it will be divided amongst them in proportion to the amount of capital they severally supply. But a difficulty presents itself in the distribution of the other two portions. Are all species of labour, and all descriptions of talent, to be equally remunerated, or by what rule shall their several rewards be determined? M. Fourier declares that the labours _necessary_ to the community shall be most highly recompensed; then those that are _useful_; and last of all, those which administer, as the fine arts, only to pleasure and amusement. For this determination he gives a sound reason, but one which we ought not to have heard from the centre of a _phalanstere_; it is, that necessary labours are nearly all of a repugnant nature, and should therefore be most amply rewarded. To determine the degree of talent the individual has displayed, the principle of election is called in. There is, however, a high order of talent which is considered quite apart. Great artists, great mechanicians, great writers--these belong to no _phalange_, but to humanity. The world will charge itself with their remuneration. They will be re
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