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in high repute, and many worthy men have posed as amateurs. Indeed, there have been Royal gardeners, among the most familiar being Edward I and Queen Elizabeth. From Tudor times onward the once waste land in the immediate vicinity of castles and palaces was cultivated, and the gardens of the nobility along the Strand in London were full of beautiful stonework and statuettes. A writer in the sixteenth century, describing an English garden of his day, wrote: "Every garden of account hath its fish pond, its maze, and its sundials." Many fine old fountains or miniature fishponds remain, and sundials are among the curios associated with the outdoor life of the home. The garden houses of the eighteenth century included a bowling green or court, viewed from the terrace; and towards the end of that period many leaden figures were cast, the favourite being replicas of Roman statuary dedicated to such deities as Bacchus, Venus, Neptune, and Minerva. These lead statues have been collected by dealers during the last few years. Some of them are really very beautifully formed, although in many instances the wear and tear of a couple of centuries has covered them over with scratches and indentations. A few years ago lead statues received little consideration from their owners, and the children made them targets for stone-throwing. They are thought more of now, and at several recent sales lead statuettes and vases have sold for considerable sums. Sometimes ancient lead cisterns are seen outside old houses; many of these and even rain-water spout heads, beautifully moulded and cast, are among the household curios for which there is some call among collectors. The Mounting of Curios. A miscellaneous assortment of curios displayed without any regard to their proper setting has just the same effect as a badly framed picture, or a painting with an inappropriate frame. Sundry curios may be made to look charming when properly shown in a glass-topped table or a suitable case, their value as home ornaments being materially increased. Indeed, there are many beautiful objects which look nothing unless properly framed. The Wedgwood cameo gems so varied and so very minutely tooled require proper display; according to their colours so should they be arranged on a velvet or cloth background with an ample margin to separate them. A group of miniatures looks nothing unless in suitable setting or mount. Much of the beauty of old china is lost
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