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thers pink or rose-colour or blue. Little picture scenes are varied with the quaint mottoes or sentimental lines so much in vogue then. The illustrations given in Fig. 63 are typical of the choicer decorations, showing the floral style as well as the pictorial miniature scenes for which the artists of that time were famous. Some of the toilet sundries took the form of scent bottles, others etui cases and boxes for toilet requisites, including manicure sets. Perfume Boxes and Holders. Perfume has always been associated with the requisites of the lady's toilet. Sweet-smelling spices are referred to in biblical records, and even to-day the offering of perfume is a symbol of honour to the guest in the East; and some very beautiful Oriental scent sprinklers and spice boxes are now and then met with among Eastern curios. The long-necked rose-water sprinkler is the most common form, supplemented by betel-nut boxes and receptacles made by Persian artists for the famous attar of roses. Scents and "sweet odours" became fashionable in Europe in the fifteenth and sixteenth centuries; articles of clothing were scented, and there was a profusion of scent for the hair and in making the toilet. The pomander box, the favourite perfume holder of the sixteenth and seventeenth centuries of England, was in the form of an apple, the perfumes and spices being made up like a ball. It is said that the perfume was prepared from a sixteenth-century recipe, the basis of which was sweet apples or apple pulp, and scented gums and essences. From the pomander box smaller receptacles were evolved, and more elaborately prepared scents were kept in them. Some of the preparations consisted of camphor, mint, rosemary, and lavender in vinegar, a piece of sponge being saturated with the liquid. Then came the use of aromatic vinegar, and gradually beautiful little silver vinaigrettes were introduced. Many of them were very ornamental in shape, highly decorated with miniatures and floreated embellishment, the monogram or name of the owner often being added. In the outer case was usually a cover of perforated gold which closed over a piece of sponge, upon which aromatic vinegar or some similar preparation was poured. The best vinaigrettes are those bearing the hall-marks varying from 1800 to about 1840, when the making of vinaigrettes declined and other scents took their place. The burning of perfumes in bedrooms and the fumigation of wardrobes and
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