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o follow that those who hold Sensation to be the only source of our Knowledge must be obliged to affirm the possibility of sensations of Space. Mach indeed claims to distinguish physiological Space, geometrical Space, visual Space, tactual Space as all different and yet apparently harmoniously blended in our Experience. He is, however, sadly wanting in clearness of statement. He never tells us when and where exactly we do have a sensation of Space. In truth he never gets behind the postulate of an all-enveloping tridimensional world; so that he throughout assumes Space as a datum, and his inquiry is an effort to rediscover Space where he has already placed it. Let us, however, consider for a moment what can be meant by a sensation of Space. Does it not look very like a contradiction in terms? Pure Space, if it means anything, means absolute material emptiness and vacuity. How, then, by any possibility can it give rise to a sensation? What sensory organ can it be conceived as affecting? How and in what way can it be felt? The truth is the idea of Space is essentially negative. It represents absence of physical obstruction of every kind. No doubt, we may describe it positively as a possibility of free movement, and such a description is at once true and important. Yet even _it_ involves a negative. The term "free" is in reality, though not in form, a negative term and means "unconstrained." And the reason why such a term is necessarily negative is to be found in the fact that a state of dynamic constraint is the essential condition under which we enter upon our organic existence. Freedom is a negation of the Actual. Absolute freedom is a condition only theoretically possible, and is essentially the negation of the state of restraint in which our life is maintained. But the definition last quoted is nevertheless valuable because it clearly shows what really is the origin of the idea of Space. It proves that the idea of Space is a representation of one condition of our Activity. It is because the primary work of Thought is to represent the forms of our dynamic Activity that we find the idea of Space so necessary and fundamental. But it will perhaps be argued that our ordinary sensations carry with them a spatial meaning and implication, and that indirectly, therefore, our sensations _do_ supply us with the idea of Space. It will readily be agreed that if this is so of any sensations it is pre-eminently true of the s
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