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The Project Gutenberg EBook of Dickens in Camp, by Bret Harte This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Dickens in Camp Author: Bret Harte Release Date: May 14, 2004 [EBook #12337] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK DICKENS IN CAMP *** Produced by David Garcia and PG Distributed Proofreaders DICKENS IN CAMP _BY BRET HARTE_ WITH A FOREWORD BY _Frederick S. Myrtle_ [Illustration] _San Francisco_ JOHN HOWELL 1922. [Illustration] FOREWORD * * * * * "Dickens In Camp" is held by many admirers of Bret Harte to be his masterpiece of verse. The poem is so held for the evident sincerity and depth of feeling it displays as well as for the unusual quality of its poetic expression. Bret Hart has been generally accepted as the one American writer who possessed above all others the faculty of what may be called heart appeal, the power to give to his work that quality of human interest which enables the writer and his writings to live in the memory of the reading public for all time. By reason of that gift of his Bret Harte has been popularly compared with his great contemporary beyond the seas, greatest of all sentimentalists among writers of fiction, Charles Dickens. Just how far the younger author selected the elder for his ideal, built upon him, so to speak, & held his example constantly before his mental vision, may be always a matter of debate amongst students of literature. There can be no question of the genuineness of the Californian writer's admiration of him who made the whole world laugh or weep with him at will. It is recorded Harte that at seven years of age he had read "Dombey & Son," and so, as one of his biographers, Henry Childs Merwin, observes, "began his acquaintance with that author who was to influence him far more than any other." Merwin further declares that "the reading of Dickens stimulated his boyish imagination and quickened that sympathy with the weak and suffering, with the downtrodden, with the waifs and strays, with the outcasts of society, which is remarkable in both writers. The spirit of Dickens breathes through the p
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