contrary, everything seems to show that Lorenzo was at an age when his
"fancy lightly turned to thoughts of love," and, being of a poetic
temperament, he amused himself by writing amorous poetry which came from
the head and not the heart. The characteristic traits of this poetry,
then, are grace and elegance, sonority and rhythm; it lacks sincerity
and that impetuous flow of sentiment which is generally indicative of
intense feeling. It cannot be denied, however, that he often reached a
high plane; perhaps the following lines show him at his best:
"Quale sopra i nevosi ed alti monti
Apollo spande il suo bel lume adorno,
Tal' i crin suoi sopra la bianca gonna!
Il tempo e'l luogo non ch'io conti,
Che dov'e si bel sole e sempre giorno;
E Paradiso, ov'e si bella Donna!"
[As Apollo sheds his golden beams over the snowy summits of the lofty
mountains, so flowed her golden tresses over her gown of white. But I
need not note the time and place, for where shines so fair a sun it can
be naught but day, and where dwells my lady fair can be but Paradise!]
While still preoccupied with what Mrs. Jameson terms his visions of love
and poetry, he was called upon by his father, at the age of twenty-one,
to marry, for political reasons, a woman whom he had never seen--Clarice
Orsini. That the marriage was unexpected is attested by a note in his
diary to this effect: "I, Lorenzo, took to wife, Donna Clarice Orsini,
or rather she was given to me," on such and such a day. The ceremony was
performed in Naples, it appears, but the wedding festivities were
celebrated in Florence, and never was there a more brilliant scene in
all the city's history. The fete began on a Sunday morning and lasted
until midday of the Tuesday following, and for that space of time almost
the entire population was entertained and fed by the Medici. On this
occasion the wedding presents took a practical turn, in part, for, from
friends and from some of the neighboring villages subject to the rule of
Florence, supplies were sent in great quantities; among the number,
record is made of eight hundred calves and two thousand pairs of
chickens! There were music and dancing by day and by night; musicians
were stationed in various parts of the city, and about them the dancers
filled the streets. An adequate conception of this scene will perhaps be
a matter of some difficulty, but those who know something of the way in
which the people in modern
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