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contrary, everything seems to show that Lorenzo was at an age when his "fancy lightly turned to thoughts of love," and, being of a poetic temperament, he amused himself by writing amorous poetry which came from the head and not the heart. The characteristic traits of this poetry, then, are grace and elegance, sonority and rhythm; it lacks sincerity and that impetuous flow of sentiment which is generally indicative of intense feeling. It cannot be denied, however, that he often reached a high plane; perhaps the following lines show him at his best: "Quale sopra i nevosi ed alti monti Apollo spande il suo bel lume adorno, Tal' i crin suoi sopra la bianca gonna! Il tempo e'l luogo non ch'io conti, Che dov'e si bel sole e sempre giorno; E Paradiso, ov'e si bella Donna!" [As Apollo sheds his golden beams over the snowy summits of the lofty mountains, so flowed her golden tresses over her gown of white. But I need not note the time and place, for where shines so fair a sun it can be naught but day, and where dwells my lady fair can be but Paradise!] While still preoccupied with what Mrs. Jameson terms his visions of love and poetry, he was called upon by his father, at the age of twenty-one, to marry, for political reasons, a woman whom he had never seen--Clarice Orsini. That the marriage was unexpected is attested by a note in his diary to this effect: "I, Lorenzo, took to wife, Donna Clarice Orsini, or rather she was given to me," on such and such a day. The ceremony was performed in Naples, it appears, but the wedding festivities were celebrated in Florence, and never was there a more brilliant scene in all the city's history. The fete began on a Sunday morning and lasted until midday of the Tuesday following, and for that space of time almost the entire population was entertained and fed by the Medici. On this occasion the wedding presents took a practical turn, in part, for, from friends and from some of the neighboring villages subject to the rule of Florence, supplies were sent in great quantities; among the number, record is made of eight hundred calves and two thousand pairs of chickens! There were music and dancing by day and by night; musicians were stationed in various parts of the city, and about them the dancers filled the streets. An adequate conception of this scene will perhaps be a matter of some difficulty, but those who know something of the way in which the people in modern
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