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g his teasing, but too deeply moved, too generous and sincere to play the coquette, turned to him again a face shining with tenderness. Her eyes, like stars; her lips, all sweetness. "Only love, James, dear--" Something rose again in Jimmy's soft heart, choking him. As he had thrilled to the unknown ecstasy in Agatha's song, many days before, so now he thrilled to her voice and face, eloquent for him alone. Love and its power, life and its meaning, the long, long thoughts of youth and hope and desire--these held him in thrall. Agatha was in his arms. Time was lost to him, and earth. EPILOGUE No one ever knew whether the accomplished Frenchman reached shore, ultimately, in the rowboat, or descended to Sabrina beneath the waves. If that last hasty exit from the deck of the _Sea Gull_ was also his final exit from life, certain it is that his departure into the realm of shades was unwept and unsung. The stick of dynamite was found, after a gingerly search, lying on one of the berths in the large cabin, where it had been dropped by the Frenchman in his flight. Jimmy Hambleton did not let the shoe business entirely go to destruction, though his taste for holidays grew markedly after he brought his bride home with him to Lynn. One year, when the babies were growing up, he ordered a trim little yacht to be built and put into her berth at Charlesport. She was named the _Sea Gull_. Jimmy's chauffeur, called Hand, was her captain. Sometimes, when James and Agatha were alone, in the zone of stillness that hung over the listening water, there would rise a song, clear and birdlike: "Free of my pain, free of my burden of sorrow, At last I shall see thee--" and again Jimmy's heart would rise buoyant, free, happy--the heart of unquenchable youth. ***END OF THE PROJECT GUTENBERG EBOOK THE STOLEN SINGER*** ******* This file should be named 17495.txt or 17495.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/7/4/9/17495 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this lic
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