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" was printed in single-letter (ligature) form, analogous to ae for ae. The titles "Mr." and "Dr." were printed with superscript r, properly transcribed M^{r}. and D^{r}. They have been simplified for readability. Years are always printed with following period (full stop), regardless of place in the sentence. Sidenotes--here equivalent to footnotes--were labeled sequentially a-z, repeating as often as necessary. For this e-text they have been given unique identifiers adding a, b, c... to successive series. Note that the 23-letter alphabet has no j, v or w. page 2 / leaf A2v Sidenote d: ...Turrecremat. _the name "Turrecremata" is better known in its Spanish form, "Torquemada"_ page 3 / leaf A3 for translating th{~e} out of this [q]valley of teares _{~e} represents "e" with overline (unique in this text)_ page 6 / leaf A4v Non martyres domini sed mancipes diaboli _text reads_ matyris page 8 / leaf A5v Sidenote bk: _Mark. 12. 36._ _citation unclear_ page 18 / leaf B2v But of all other noble preseruations, _Our deliuerance from..._ _text reads_ ...preseruations (_Our... page 21 / leaf B4 that bloody brood of the Gun-powder crue _text reads_ Gun-dowder the Churches of Saint _Albanes_ and _Arthuret_ "Arthuret" is a place name page 24 / leaf B5v _Let euery thing that hath breath praise the Lord_, that is [fc]_omne spirans_ _text reads_ ...the Lord_) that is... _Omnis spiritus, i. [ff]totus spiritus_ "i." _as in original: short for_ "intellege"? page 25 / leaf B6 Sidenote fq [simple "q" in original] _text has "p" for "q", but reference in body text is correct_] End of Project Gutenberg's An Exposition of the Last Psalme, by John Boys *** END OF THIS PROJECT GUTENBERG EBOOK AN EXPOSITION OF THE LAST PSALME *** ***** This file should be named 17273.txt or 17273.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/2/7/17273/ Produced by Louise Hope, Jason Isbell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyrigh
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