John Effingham. Here the former
revived the conversation on distinctions in society, with the
confusion of thought that usually marks a European's notions of such
matters.

Chapter IV.

"Ready." "And I." "And I." "Where shall we go?"

MIDSUMMER-NIGHT'S DREAM.

Grace Van Cortlant was the first to make her appearance after the
retreat from the drawing-room. It has often been said that, pretty as
the American females incontestably are, as a whole they appear better
in _demi-toilette,_ than when attired for a ball. With what would be
termed high dress in other parts of the world, they are little
acquainted; but reversing the rule of Europe, where the married
bestow the most care on their personal appearance, and the single are
taught to observe a rigid simplicity, Grace now seemed sufficiently
ornamented in the eyes of the fastidious baronet, while, at the same
time, he thought her less obnoxious to the criticism just mentioned,
than most of her young countrywomen, in general.

An _embonpoint_ that was just sufficient to distinguish her from most
of her companions, a fine colour, brilliant eyes, a sweet smile, rich
hair, and such feet and hands as Sir George Templemore had, somehow--
he scarcely knew how, himself--fancied could only belong to the
daughters of peers and princes, rendered Grace so strikingly
attractive this evening, that the young baronet began to think her
even handsomer than her cousin. There was also a charm in the
unsophisticated simplicity of Grace, that was particularly alluring
to a man educated amidst the coldness and mannerism of the higher
classes of England. In Grace, too, this simplicity was chastened by
perfect decorum and _retenue_ of deportment; the exuberance of the
new school of manners not having helped to impair the dignity of her
character, or to weaken the charm of diffidence. She was less
finished in her manners than Eve, certainly; a circumstance, perhaps,
that induced Sir George Templemore to fancy her a shade more simple,
but she was never unfeminine or unladylike; and the term vulgar, in
despite of all the capricious and arbitrary rules of fashion, under
no circumstances, could ever be applied to Grace Van Cortlandt. In
this respect, nature seemed to have aided her; for had not her
associations raised her above such an imputation, no one could
believe that she would be obnoxious to the charge, had her lot in
life been cast even many degrees lower than it actually was.

I