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The Project Gutenberg EBook of The Gadfly, by E. L. Voynich This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Gadfly Author: E. L. Voynich Posting Date: February 1, 2009 [EBook #3431] Release Date: September, 2002 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE GADFLY *** Produced by Judy Boss THE GADFLY By E. L. Voynich "What have we to do with Thee, Thou Jesus of Nazareth?" AUTHOR'S PREFACE. MY most cordial thanks are due to the many persons who helped me to collect, in Italy, the materials for this story. I am especially indebted to the officials of the Marucelliana Library of Florence, and of the State Archives and Civic Museum of Bologna, for their courtesy and kindness. THE GADFLY PART I. CHAPTER I. Arthur sat in the library of the theological seminary at Pisa, looking through a pile of manuscript sermons. It was a hot evening in June, and the windows stood wide open, with the shutters half closed for coolness. The Father Director, Canon Montanelli, paused a moment in his writing to glance lovingly at the black head bent over the papers. "Can't you find it, carino? Never mind; I must rewrite the passage. Possibly it has got torn up, and I have kept you all this time for nothing." Montanelli's voice was rather low, but full and resonant, with a silvery purity of tone that gave to his speech a peculiar charm. It was the voice of a born orator, rich in possible modulations. When he spoke to Arthur its note was always that of a caress. "No, Padre, I must find it; I'm sure you put it here. You will never make it the same by rewriting." Montanelli went on with his work. A sleepy cockchafer hummed drowsily outside the window, and the long, melancholy call of a fruitseller echoed down the street: "Fragola! fragola!" "'On the Healing of the Leper'; here it is." Arthur came across the room with the velvet tread that always exasperated the good folk at home. He was a slender little creature, more like an Italian in a sixteenth-century portrait than a middle-class English lad of the thirties. From the long eyebrows and sensitive mouth to the sma
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