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ith _The Initials_; and every one has had, has, or will have a period of his or her life in which no more is asked than is to be found in that famous story. In both books the characters have a great resemblance to human beings as seen by a bright, observant, humorous person whose experience has not been wasted. It is not everybody who has afterward been famous that has made so good a beginning as the author of _Kismet_. _Books Received._ Narrative of the North Pole Expedition: U. S. Ship Polaris. Edited, under the direction of the Hon. G. M. Robeson, by Rear-Admiral C. H. Davis, U. S. N., U. S. Naval Observatory. Washington: Government Printing-Office. Life and Letters of Lord Macaulay. By his Nephew, George Otto Trevelyan, M. P. (Leipsic edition.) Vols. I. and II. Leipsic: Lemmermann & Co. From R. Worthington, New York. Fruit and Bread: A Scientific Diet. By Gustav Schlickeysen. Translated from the German by M. L. Holbrook, M. D. New York: M. L. Holbrook & Co. A Woman-Hater. By Charles Reade. (Harpers' Household and Popular Editions.) New York: Harper & Brothers. Unclaimed: A Story of English Life. By an Englishwoman. (Loring's Tales of the Day.) Boston: Loring. Lectures on the History of Protection in the United States. By W. G. Sumner. New York: G. P. Putnam's Sons. The Scripture Club of Valley Rest. By the author of "Helen's Babies." New York: G. P. Putnam's Sons. In Change Unchanged. By Linda Villari. (Leisure-Hour Series.) New York: Henry Holt & Co. Afterglow. (No-Name Series.) Boston: Roberts Brothers. End of the Project Gutenberg EBook of Lippincott's Magazine of Popular Literature and Science, Volume 20, September, 1877., by Various *** END OF THIS PROJECT GUTENBERG EBOOK LIPPINCOTT'S MAGAZINE, SEPT 1877 *** ***** This file should be named 31946.txt or 31946.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/9/4/31946/ Produced by Juliet Sutherland, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in t
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