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the city where women are allowed to pray, but only upon one night in the whole year in El-Jama-el-Kebeer--a field-day among the wives and concubines, who flit like white moths through the darkness in flocks to worship, carrying red-and-blue lanterns. At last we reached the house of the Moor upon whom Mr. Bewicke intended us to call--a specimen of the best Moorish houses. Alarbi Abresha has been nicknamed "the Duke of Westminster"--the wealthiest man in Tetuan. A slave responded to the hammer of the great knocker, demanded who knocked, and then opened the door. Alarbi Abresha was out; but his son, a youth badly marked with small-pox, received us, dressed in a jellab of pale blue, tasselled, and worked in white. Mr. Bewicke asked after _the house_. No one in Morocco inquires after the wife or family distinctively. [Illustration: _Photo by A. Cavilla, Tangier._] ALARBI ABRESHA'S HOUSE. [_To face p. 54._] A long passage led us into a large _patio_ (courtyard), in which orange-trees were growing. It was open to the sky, the floor tiled with shining tesselated tile-work; a marble fountain rippled in the middle: the dado round the four walls, the three rows of pillars which on all sides supported the gallery above--all were tiled in the same mosaic of small saffron-yellow, powder-blue, and white tiles, which are baked, coloured, and glazed in primitive potteries outside the city, and made only in Tetuan and Fez. A Moorish house is the essence of purity and light, with its whitewashed walls, its absence of all stifling furniture, and its capability of being sluiced down from top to bottom every day with rivers of water by barefooted slaves. "The Duke" had spared no dollars to make his house beautiful. Of the triple row of arches, supported by the pillars round the patio, the outside row was a plain horse-shoe, the inner toothed, the inmost carved. Through an avenue of pillars the rooms all round the patio look out upon the fountain and the orange-trees. Slaves occupied them. The kitchen also and the hummum are always on the ground floor. We were taken up to the first floor by the tiled staircase, with a plaster fan-shell ceiling, and were shown into the best room--the room belonging to the master of the house. The tiled floor was hidden by an ugly modern French carpet in strips: white and coloured mattresses were laid all round the walls upon the floor instead of chairs. Two immense brass bedsteads stood in rec
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