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d 71. [10] R.C. Taft, _Some notes upon the introduction of the woolen manufacture into the United States_, Providence, 1882, pp. 17-18. The Scholfield sons, of whom three were still living in the 1880's, were quite elderly at the time Taft talked to them; only James, aged 98, would have been able to remember the Connecticut move. [11] There is no record of the carding machine made of mahogany which John's sons reported had been transferred to the Stonington mill. [12] This is probably the machine that gave rise to stories of a carding machine having been smuggled from England during the early Byfield days. J.E.A. Smith, _The history of Pittsfield, Massachusetts, from the year 1800 to the year 1876_, Springfield, 1876, p. 167. [13] U.S. 15th Congress, 1st and 2nd sessions, _The debates and proceedings in the Congress_, vols. for 1817-1819 (2). [14] _Worcester Spy_, July 10, 1822. [15] A natural delay. Although the cylinders and the card clothing wore out and had to be replaced, the heavy wooden frames of the early machines remained long in serviceable condition. [16] Once again in use, it is now powered by electricity. A pound of slivers from it (about 260) may be purchased for $3.00. [17] The author is indebted to William N. Watkins, U.S. National Museum Curator of Agriculture and Wood Products, Smithsonian Institution, for the identification of the woods in the specimen. [18] The author is indebted to Mr. Don Berkebile of the Smithsonian's U.S. National Museum staff for his examination of the metal teeth on the comb plate of this machine. End of the Project Gutenberg EBook of The Scholfield Wool-Carding Machines, by Grace L. Rogers *** END OF THIS PROJECT GUTENBERG EBOOK SCHOLFIELD WOOL-CARDING MACHINES *** ***** This file should be named 27137.txt or 27137.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/1/3/27137/ Produced by Chris Curnow, Joseph Cooper, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Ter
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