them,
thou art too severely mauled in this work to like it. Who then will? some
will cry. Nay, besides these, many societies that make a great figure in
the world are reflected on in this book; which caused Rabelais to study to
be dark, and even bedaub it with many loose expressions, that he might not
be thought to have any other design than to droll; in a manner bewraying
his book that his enemies might not bite it. Truly, though now the riddle
is expounded, I would advise those who read it not to reflect on the
author, lest he be thought to have been beforehand with them, and they be
ranked among those who have nothing to show for their honesty but their
money, nothing for their religion but their dissembling, or a fat benefice,
nothing for their wit but their dressing, for their nobility but their
title, for their gentility but their sword, for their courage but their
huffing, for their preferment but their assurance, for their learning but
their degrees, or for their gravity but their wrinkles or dulness. They
had better laugh at one another here, as it is the custom of the world.
Laughing is of all professions; the miser may hoard, the spendthrift
squander, the politician plot, the lawyer wrangle, and the gamester cheat;
still their main design is to be able to laugh at one another; and here
they may do it at a cheap and easy rate. After all, should this work fail
to please the greater number of readers, I am sure it cannot miss being
liked by those who are for witty mirth and a chirping bottle; though not by
those solid sots who seem to have drudged all their youth long only that
they might enjoy the sweet blessing of getting drunk every night in their
old age. But those men of sense and honour who love truth and the good of
mankind in general above all other things will undoubtedly countenance this
work. I will not gravely insist upon its usefulness, having said enough of
it in the preface (Motteux' Preface to vol. I of Rabelais, ed. 1694.) to
the first part. I will only add, that as Homer in his Odyssey makes his
hero wander ten years through most parts of the then known world, so
Rabelais, in a three months' voyage, makes Pantagruel take a view of almost
all sorts of people and professions; with this difference, however, between
the ancient mythologist and the modern, that while the Odyssey has been
compared to a setting sun in respect to the Iliads, Rabelais' last work,
which is this Voyage to the Oracle