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o be seen that there is a mistake. We deceive ourselves without being aware of it. This frequently happened to me during two years with this word Charles, which was the name of my mother's brother, living in New Orleans. During those two years he told me how he died; yet at that very time he was in the vigor of life. This was in 1860 and 1861, and he did not pass away till 1864. We had, therefore, been the dupes of an illusion. Auto-suggestion, or self-suggestion, is also extremely frequent in these experiments, as well as with writing mediums. I have before my eyes some charming fables, published by Monsieur Jaubert, President of the Civil Tribunal of Carcassonne, and some delicate poems, obtained through planchette, by P. F. Mathieu,--besides some historic and philosophical works,--all leading to the conclusion that these mediums have written under their own influence; or, at best, affording no scientific proof of a foreign influence. There remain still unexplained the raps, and the motion of objects more or less heavy. On this point I fully share the opinion of the great chemist, Mr. Crookes, who says: When manifestations of this kind are exhibited, this remark is generally made: "Why do tables and chairs alone show these effects? Why is this the peculiar property of furniture?" I might reply that I am simply observing and reporting facts, and that I need not enter into the _whys_ and _wherefores_. Nevertheless it seems clear that if, in an ordinary dining-room, any heavy inanimate body is to be lifted from the floor, it cannot very well be anything except a table or a chair. I have numerous proofs that this property does not appertain alone to articles of furniture; but in this, as in other experimental demonstrations, the intelligence or force--whichever it be that produces these phenomena,--cannot choose but use objects appropriate to its ends. At different times during my researches I have heard delicate raps, which sounded as if produced by a pin's point; a cascade of piercing sounds, like those of a machine in full motion; detonations in the air; light and acute metallic taps; cracking noises, like those produced by a floor-polishing machine; sounds which resembled scratching; warbling, like that of birds. Each of these noises, which I have tested through different mediums, had its special peculiarity. With Mr. Home
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