FREE BOOKS

Author's List




PREV.   NEXT  
|<   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107  
108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   >>   >|  
FURTHER VIEW OF THE TEMPLE OF URU] In Its Present State, According To Loftus. Drawn by Bouchier, from Loftus. Here stood the statue of Nannar, one of those stiff and conventionalized figures in the traditional pose handed down from generation to generation, and which lingered even in the Chaldaean statues of Greek times. The spirit of the god dwelt within it in the same way as the double resided in the Egyptian idols, and from thence he watched over the restless movements of the people below, the noise of whose turmoil scarcely reached him at that elevation. The gods of the Euphrates, like those of the Nile, constituted a countless multitude of visible and invisible beings, distributed into tribes and empires throughout all the regions of the universe. A particular function or occupation formed, so to speak, the principality of each one, in which he worked with an indefatigable zeal, under the orders of his respective prince or king; but, whereas in Egypt they were on the whole friendly to man, or at the best indifferent in regard to him, in Chaldaea they for the most part pursued him with an implacable hatred, and only seemed to exist in order to destroy him. These monsters of alarming aspect, armed with knives and lances, whom the theologians of Heliopolis and Thebes confined within the caverns of Hades in the depths of eternal darkness, were believed by the Chaldaeans to be let loose in broad daylight over the earth,--such were the "gallu" and the "mas-kim," the "alu" and the "utukku," besides a score of other demoniacal tribes bearing curious and mysterious names. [Illustration: 137.jpg Lion-headed genius.] Drawn by Faucher-Gudin, from a small terra-cotta figure of the Assyrian period, and now in the Louvre. It was one of the figures buried under the threshold of one of the gates of the town at Khorsabad, to keep off baleful influences. Some floated in the air and presided over the unhealthy winds. The South-West Wind, the most cruel of them all, stalked over the solitudes of Arabia, whence he suddenly issued during the most oppressive months of the year: he collected round him as he passed the malarial vapours given off by the marshes under the heat of the sun, and he spread them over the country, striking down in his violence not only man and beast, but destroying harvests, pasturage, and even trees. [Illustration: 138.jpg THE SOUTH-WEST WIND] Drawn by Faucher-Gudin
PREV.   NEXT  
|<   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107  
108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   >>   >|  



Top keywords:
generation
 

Illustration

 

Faucher

 

tribes

 

figures

 

Loftus

 
bearing
 
demoniacal
 
curious
 

headed


genius

 

mysterious

 

eternal

 
depths
 

darkness

 

believed

 

Chaldaeans

 

caverns

 

theologians

 

Heliopolis


Thebes

 

confined

 

figure

 

utukku

 
daylight
 

collected

 

passed

 

malarial

 
vapours
 

months


suddenly

 

issued

 
oppressive
 

marshes

 
pasturage
 

violence

 

destroying

 

striking

 
country
 

spread


Arabia
 
solitudes
 

harvests

 

Khorsabad

 

baleful

 

lances

 
threshold
 

buried

 

period

 

Louvre