according to his idea, had risen
far too rapidly. Besides, the introduction of a new-comer was quite an
important matter, and the guests of the Raquins could not receive an
individual unknown to them, without some display of coldness.
Laurent behaved very amicably. He grasped the situation, and did his
best to please the company, so as to make himself acceptable to them at
once. He related anecdotes, enlivened the party by his merry laughter,
and even won the friendship of Grivet.
That evening Therese made no attempt to go down to the shop. She
remained seated on her chair until eleven o'clock, playing and talking,
avoiding the eyes of Laurent, who for that matter did not trouble
himself about her. The sanguineous temperament of this strapping fellow,
his full voice and jovial laughter, troubled the young woman and threw
her into a sort of nervous anguish.
CHAPTER VI
Henceforth, Laurent called almost every evening on the Raquins. He lived
in the Rue Saint-Victor, opposite the Port aux Vins, where he rented a
small furnished room at 18 francs a month. This attic, pierced at the
top by a lift-up window, measured barely nine square yards, and Laurent
was in the habit of going home as late as possible at night. Previous to
his meeting with Camille, the state of his purse not permitting him to
idle away his time in the cafes, he loitered at the cheap eating-houses
where he took his dinner, smoking his pipe and sipping his coffee
and brandy which cost him three sous. Then he slowly gained the Rue
Saint-Victor, sauntering along the quays, where he seated himself on the
benches, in mild weather.
The shop in the Arcade of the Pont Neuf became a charming retreat, warm
and quiet, where he found amicable conversation and attention. He
saved the three sous his coffee and brandy cost him, and gluttonously
swallowed the excellent tea prepared by Madame Raquin. He remained
there until ten o'clock, dozing and digesting as if he were at home; and
before taking his departure, assisted Camille to put up the shutters and
close the shop for the night.
One evening, he came with his easel and box of colours. He was to
commence the portrait of Camille on the morrow. A canvas was purchased,
minute preparations made, and the artist at last took the work in hand
in the room occupied by the married couple, where Laurent said the light
was the best.
He took three evenings to draw the head. He carefully trailed the
charcoal over t
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