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The Project Gutenberg EBook of Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini, by George Henry Boker This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini Author: George Henry Boker Release Date: July 23, 2004 [EBook #13005] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FRANCESCA DA RIMINI *** Produced by David Starner, Leah Moser and the Online Distributed Proofreading Team. FRANCESCA DA RIMINI _A TRAGEDY_ Francesca, i tuoi martiri a lagrimar mi fanno triato e pio.--DANTE. _Inferno, v. 75 seq._ [Illustration: GEORGE HENRY BOKER] GEORGE HENRY BOKER (1823-1890) The name of George Henry Boker suggests a coterie of friendships--a group of men pledged to the pursuit of letters, and worshippers at the shrine of poetry. These men, in the pages of whose published letters and impressions are embedded many pleasing aspects of Boker's temperament and character, were Bayard Taylor, Richard Henry Stoddard, and Charles Godfrey Leland, the latter known familiarly in American literature as "Hans Breitmann." These four, in different periods of their lives, might have been called "the inseparables"--so closely did they watch each other's development, so intently did they await each other's literary output, and write poetry to each other, and meet at Boker's, now and again, for golden talks on Sundays. Poetry was a passion with them, and even when two--Boker and Taylor--were sent abroad on diplomatic missions, they could never have been said to desert the Muse--their literary activity was merely arrested. One of the four--Stoddard--often felt, in the presence of Boker, a certain reticence due to lack of educational advantages; but in the face of Boker's graciousness--a quality which comes with culture in its truest sense,--he soon found himself writing Boker on matters of style, on qualities of English diction, and on the status of American letters--a stock topic of conversation those days. Boker was a Philadelphian, born there on October 6, 1823,--the son of Charles S. Boker, a wealthy banker, whose financial expertness
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