erience, significant for dramatic expression, or notable for their
humor. They are rather heavy and ponderous in style, though sonorous in
expression. A stately tread, a largeness of expression, an air of weighty
meaning, appear in nearly all these mottoes. As a specimen of the more
philosophic, the following will indicate the truthfulness of this
description:--
Truth is the precious harvest of the earth,
But once, when harvest waved upon a land,
The noisome cankerworm and caterpillar,
Locusts, and all the swarming, foul-born broods,
Fastened upon it with swift, greedy jaws,
And turned the harvest into pestilence,
Until men said, What profits it to sow?
Her capacity for dramatic expression, in which a rich comprehension of
life is included, may be seen in these lines:
1ST CITIZEN. Sir, there's a hurry in the veins of youth
That makes a vice of virtue by excess.
2D CITIZEN. What if the coolness of our tardier veins
Be loss of virtue?
1ST CITIZEN. All things cool with time--
The sun itself, they say, till heat shall find
A general level, nowhere in excess.
2D CITIZEN. 'Tis a poor climax, to my weaker thought,
That future middlingness.
Wisdom alloyed with humor appears in another motto:
"It is a good and soothfast saw;
Half-roasted never will be raw;
No dough is dried once more to meal.
No crock new-shapen by the wheel;
You can't turn curds to milk again
Nor Now, by wishing, back to Then;
And having tasted stolen honey,
You can't buy innocence for money."
Mr. Buxton Forman says, that "in the charming headings to the chapters of
_Felix Holt_ it seemed as though the strong hand which had, up to that
point, exercised masterly control over the restive tendency of high prose
to rear up into verse, had relaxed itself just for the sake of a holiday,
and no more. These headings did not bear the stamp of original poetry upon
them. Forcible as were some, admirable in thought and applicability to the
respective chapters as were all, none bore traces of that clearly defined
individuality of style betrayed by all great and accomplished practitioners
of verse, in even so small a compass as these headings. Some of them
possess the great distinctive technical mark of poetry,--condensation; but
this very condensation is compassed not in an original and individual
method, bu
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