r interpretation of the emotional elements of life is
the true one, that she has discovered their source or their real ideal
significance, may well be doubted; but there is every reason for believing
that she realized their great value, and she certainly tried in an earnest
spirit to make them helpful in the life of ideal beauty and truthfulness.
All that agnostic science and the evolution philosophy had to teach, George
Eliot accepted, its doctrine of descent, its new psychology, and its
theories of society and human destiny. Its doctrine of experience, its
ethical theories, were equally hers. Yet into her interpretation of
existence went a woman's heart, the widest and tenderest sympathy, and a
quick yearning purpose to do what good she could in the world. She saw with
the lover's eyes, motherhood revealed itself in her soul, the child's trust
was in her heart. The new philosophy she applied to life, revealed its
relations to duty, love, sorrow, trial and death. To her it had a deep
social meaning, a vital connection with the heart, its hopes and its
burdens, and for her it touched the spiritual content of life with reality.
It was in this way she became the truest interpreter of the evolution
philosophy, the best apostle of the ethics taught by agnostic science. She
not only speculated, she also felt and lived. Philosophy was to her more
than an abstract theory of the universe; into it entered a tender sympathy
for all human weakness, a profound sense of the mystery of existence, and a
holy purpose to make life pure and true to all she could reach. This larger
comprehension gives a new significance to her interpretation of evolution.
It makes it impossible that this philosophy should be fully understood
without a study of her books.
It is because George Eliot was not a mere speculative thinker that her
teachings become so important. The true novelist, who is gifted with
genius, who creates character and situation with a master's hand, must have
some theory of life. He must have some notion of what life means, what the
significance of the pathos and tragedy of human experience, and why it is
that good and evil in conduct do not produce the same results. Such a
theory of life, if firmly grasped and worked out strongly, becomes a
philosophy. Much depends with the novelist on that philosophy, what it
places foremost, what it sees destiny to mean. It will affect his insight,
give shape to his plots, decide his characters
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