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hear him go out of his room at all?" "He did go out," said the jeweller truth-fully, "but----" "I thought so," said the constable, turning to his prisoner with affectionate solicitude. "Now you come along o' me. Come quietly, because it'll be the best for you in the end." "You won't get your skull split open then," added the butcher, toying with his cleaver. The jeweller hesitated. He had no desire to be left alone with Mr. Burge again; and a sense of humour, which many years' association with the Primitive Apostles had not quite eradicated, strove for hearing. "Think of the sermon it'll make," he said encouragingly to the frantic Mr. Burge, "think of the congregation!" Brother Burge replied in language which he had not used in public since he had joined the Apostles. The butcher and another man stood guard over him while the constable searched the premises and made all secure again. Then with a final appeal to Mr. Higgs who was keeping in the background, he was pitched to the police-station by the energetic constable and five zealous assistants. A diffidence, natural in the circumstances, prevented him from narrating the story of his temptation to the magistrates next morning, and Mr. Higgs was equally reticent. He was put back while the police communicated with London, and in the meantime Brother Clark and a band of Apostles flanked down to his support. On his second appearance before the magistrates he was confronted with his past; and his past to the great astonishment of the Brethren being free from all blemish with the solitary exception of fourteen days for stealing milk-cans, he was discharged with a caution. The disillusioned Primitive Apostles also gave him his freedom. End of Project Gutenberg's The Temptation of Samuel Burge, by W.W. Jacobs *** END OF THIS PROJECT GUTENBERG EBOOK THE TEMPTATION OF SAMUEL BURGE *** ***** This file should be named 11188.txt or 11188.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/1/8/11188/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set f
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