sus historias (aunque algunos digan que de Tula) vino de las
partes de Yucatan a la ciudad de Cholula." _Historia Eclesiastica
Indiana_, Lib. ii, cap. x.]

[Footnote 2: _Historia Chichimeca_, cap. i.]

[Footnote 3: _Historia_, cap. xv.]

Whatever the origin of Quetzalcoatl, whether the child of a miraculous
conception, or whether as an adult stranger he came from some far-off
land, all accounts agree as to the greatness and purity of his character,
and the magnificence of Tollan under his reign. His temple was divided
into four apartments, one toward the East, yellow with gold; one toward
the West, blue with turquoise and jade; one toward the South, white with
pearls and shells, and one toward the North, red with bloodstones; thus
symbolizing the four cardinal points and four quarters of the world over
which the light holds sway.[1]

[Footnote 1: Sahagun, Lib. ix, cap. xxix.]

Through the midst of Tollan flowed a great river, and upon or over this
river was the house of Quetzalcoatl. Every night at midnight he descended
into this river to bathe, and the place of his bath was called, In the
Painted Vase, or, In the Precious Waters.[1] For the Orb of Light dips
nightly into the waters of the World Stream, and the painted clouds of the
sun-setting surround the spot of his ablutions.

[Footnote 1: The name of the bath of Quetzalcoatl is variously given as
_Xicapoyan_, from _xicalli_, vases made from gourds, and _poyan_, to paint
(Sahagun, Lib. iii, cap. iii); _Chalchiuhapan_, from _atl_, water _pan_,
in, and _chalchiuitl_, precious, brilliant, the jade stone (_id._, Lib. x,
cap. xxix); and _Atecpanamochco_, from _atl_, water, _tecpan_, royal,
_amochtli_, any shining white metal, as tin, and the locative _co_, hence,
In the Shining Royal Water (_Anales de Cuauhtitlan_, p. 21). These names
are interesting as illustrating the halo of symbolism which surrounded the
history of the Light-God.]

I have said that the history of Quetzalcoatl in Tollan is but a
continuation of the conflict of the two primal brother gods. It is still
the implacable Tezcatlipoca who pursues and finally conquers him. But
there is this significant difference, that whereas in the elemental
warfare portrayed in the older myth mutual violence and alternate
destruction prevail, in all these later myths Quetzalcoatl makes no effort
at defence, scarcely remonstrates, but accepts his defeat as a decree of
Fate which it is vain to resist. He sees his peo