FREE BOOKS

Author's List




PREV.   NEXT  
|<   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123  
124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   >>   >|  
e, or illuminating hint upon the beauties of liturgy and symbolism. They, and a hundred other things, are all gathered up and introduced to us in Ruskin's books; and we are shown them from the exact standpoint from which they are most likely to appeal to us, and be of use. There never was a great world made so easy and pleasant of entrance for the adventuring traveller; you have only to enter and take possession. Do you incline towards myth and symbolism and allegory--the expression of abstract thought by beautiful figures? Read the myths of Greece expounded to you in their exquisite spirituality in the "Queen of the Air." Or is your bent devotion and the devout life, expressed in thrilling story and gorgeous colour? Read, say, the life of St. Catherine or of St. George in the "Golden Legend." Or are you in love, and would express its spring-time beauty? Translate into your own native language of form and colour "The Romaunt of the Rose." For the great safeguard and guide in the perilous forest of fancy is to find enough interest in the actual facts of some history or the qualities of some heroic character, whether real or fabled, round which at first you may group your thought and allegory. Listen to _them_, and try to formulate and illustrate _their_ meaning, not to announce your own. Do not set puzzles, or set things that will be puzzling, without the highest and deepest reasons and the apostleship urgently laid upon you so to do--but let your allegory surround some definite subject, so that men in general can see it and say, "Yes, that is so and so," and go away satisfied rather than puzzled and affronted; leaving the inner few for whom you really speak, the hearts that, you hope, are waiting for your message, to find it out (and you need have no fear that they will do so), and to say, "Yes, that _means_ so and so, and it is a good thought." For, remember always that, even if you conceive that you have a mission laid upon you to declare Truth, it is most sternly conditioned by an obligation, as binding as itself and of as high authority, to set forth Beauty: the holiness of beauty equally with the beauty of holiness. No amount of good intent can make up for lack of skill; it is your business to know your business. Youth always would begin with allegory, but the ambition of the good intention is generally in exactly the reverse proportion to the ability to carry it out in expression. But the true allegory that
PREV.   NEXT  
|<   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123  
124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   >>   >|  



Top keywords:

allegory

 

beauty

 

thought

 

expression

 

colour

 

symbolism

 

things

 

business

 
holiness
 

subject


surround

 

generally

 
general
 
definite
 

intention

 

satisfied

 

ambition

 

binding

 

reverse

 

puzzles


announce
 

formulate

 

illustrate

 
meaning
 

ability

 

puzzling

 

apostleship

 

urgently

 

reasons

 

proportion


highest

 

deepest

 

puzzled

 
remember
 

amount

 
Beauty
 

mission

 
declare
 
equally
 

conceive


sternly
 

conditioned

 
intent
 

authority

 

affronted

 

leaving

 

waiting

 

message

 
obligation
 

hearts