h, 237

Tapping, 41

Taste, some principles of, 92

Technical school, curriculum of, 321

Templates to be verified, 289

Tennyson, his constant revision, 271

Texture of glass, use of, 126

Theseus, 260

Thought, imagination, allegory, 248

Ties for banding, 151

Thrift, 157

Time saved by accuracy and method, 290

Time-saving appliances, 277

Tinning the soldering iron, 145

Tints, method of choosing, 210

Titian, 173, 203, 271, 316

Tradition, 238, 242

Troyes, centre for study of glass, 315

Trying work _in situ_, 175

Turgenieff, proverb on accuracy, 285

Turpentine (Venice), 129

Tuscan painters, good work to copy in glass, 322

"Upholstery and millinery" in glass, to avoid, 324

Venus of Milo, 260

Veronese, 203

Village church, untouched, picture of, 305

Violent action to be avoided, 173

Wage of lead workers, 159

Waste, proportion of, to finished work, 162

Wastefulness, English, 156

Wax, best, 95

Wax, removing spots of, 98

Waxing-up, 95

Waxing-up, tool for, 188

Wells, centre for study of glass, 314

Wheel-barrow, comparison with wheel-cutter, 51

Wheel-cutters, 34, 35, 47, 53, 54, 56

White, pure, value of, 227

White spaces to be interesting, 178

Work in the shop, rules for, 286

Yellow and red together, 218

Yellow, certain tints hard to obtain, 217

Yellow stain, 129

York, centre for study of glass, 314

York Minster, glass in, 230, 308, 313

THE END

Printed by BALLANTYNE, HANSON & CO.
Edinburgh & London

End of the Project Gutenberg EBook of Stained Glass Work, by C. W. Whall

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