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dered it probable that it would not stand a very violent assault. Wherefore, retreating some twenty paces, I ran at it _more Etonensi_, at the top of my speed, planted the sole of my foot even and square against the key-hole, with the whole impetus of my charge, and had the satisfaction of feeling the door fly open in an instant, while a jingling clatter within showed that my entrance had been effected with no greater damage to the premises than the starting of the staple into which the bolt of the lock shot. Having entered thus, my first task was to repair damages, which was effected in five minutes, by driving the staple into its old place by aid of a great stone; my second, to provide means for future visits, which was as speedily managed by driving back the bolt of the lock with the same great stone; and my third, to look eagerly and curiously about me. To do this more effectually, I soon opened the two windows looking upon the lawn, and let in the light, for the first time, I fancy, in many a year, to that deserted room. If I had marveled much before I entered, much more did I marvel now; for although every thing within showed marks of the utmost negligence and decay, though spiders had woven their webs in every angle, though mildew and damp mould had defaced the painted walls, though the gilding was black and tarnished, though the dust lay thick on the furniture, still I had never seen any thing in my life, except the state-rooms at Hampton Court and Windsor Castle, which could have vied with this pavilion in the splendor of its original decoration. Its area was about thirty feet in diameter, and in height nearly the same, with a domed roof, richly fretted with what had once been golden scroll-work upon an azure ground. The walls were painted, as even _I_ could discover, by the hand of a master, with copies from Guido and Caracci, in compartments bordered with massive gilded scroll-work, the ground between the panels having been originally, like the ceiling, of bright azure. The window-frames had been gilded; and the inside of the door painted, like the walls, in azure, with pictures of high merit in the panels. Every side of the octagon but two, the opposite walls to the right and left, were occupied by windows or a door; but that to the right was filled by a mantel-piece, exquisitely wrought with Caryatides in white Carrara marble, with a copy of the Aurora above it, while the space opposite to it had be
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