FREE BOOKS

Author's List




PREV.   NEXT  
|<   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394   395   396   397   398   399   400   401   402   403   404  
405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   421   422   423   424   425   426   427   428   429   >>   >|  
to insult or hurt, but that the probability of hurting and insulting does not occur to her, or leaves her indifferent. [382] Second "light," and now not dubious, for it is made a point of later. [383] It has sometimes amused me to remember that some of the warmest admirers of Dumas _fils_ have been among the most violent decriers of Thackeray--_for_ preaching. I suppose they preferred the Frenchman's texts. [384] Neither morality, nor friendship, nor anything like sense of "good form" could be likely to hold him back. But he is represented as nothing if not _un homme fort_ in character and temperament, who knows his woman thoroughly, and must perceive that he is letting himself be beaten by her in the very act of possessing her. [385] Vide _Mr. Midshipman Easy_. [386] This phrase may require just a word of explanation. I admitted (Vol. I. p. 409) the abnormality in _La Religieuse_ as not disqualifying. But this was not an abnormality of the _individual_. Iza's is. [387] Perhaps I may add another subject for those who like it. "Both Manon and Iza do _prefer_, and so to speak only _love_, the one lover. Does this in Iza's case aggravate, or does it partially redeem, her general behaviour?" A less disputable addition, for the reason given above, may be a fairly long note on the author's work outside of fiction. [Sidenote: Note on Dumas _fils'_ drama, etc.] With the drama which has received such extraordinary encomia (the great name of Moliere having even been brought in for comparison) I have no exhaustive acquaintance; but I have read enough not to wish to read any more. If the huge prose tirades of _L'Etrangere_ bore me (as they do) in the study, what would they do on the stage, where long speeches, not in great poetry, are always intolerable? (I have always thought it one of the greatest triumphs of Madame Sarah Bernhardt that, at the very beginning of her career, she made the heroine of this piece--_if_ she did so--interesting.) Over the _Fils Naturel_ I confess that even I, who have struggled with and mastered my thousands, if not my tens of thousands, of books, broke down hopelessly. _Francillon_ is livelier, and might, in the earlier days, have made an amusing novel. But discounting, judicially and not prejudicially, the excessive laudation, one sees that even here he did what he meant to do, and though there is higher praise than that, it is praise only too seldom deserved. As for his Prefaces
PREV.   NEXT  
|<   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394   395   396   397   398   399   400   401   402   403   404  
405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   421   422   423   424   425   426   427   428   429   >>   >|  



Top keywords:

praise

 

thousands

 
abnormality
 

seldom

 

amusing

 

deserved

 
Moliere
 
brought
 

exhaustive

 

acquaintance


earlier
 
comparison
 
encomia
 

author

 

Prefaces

 

prejudicially

 
excessive
 

reason

 

fairly

 

fiction


judicially

 

received

 

extraordinary

 

Sidenote

 

discounting

 

hopelessly

 

interesting

 

heroine

 

addition

 

beginning


career

 

Francillon

 

mastered

 

Naturel

 

confess

 
struggled
 
speeches
 

poetry

 

Etrangere

 

laudation


livelier
 
Bernhardt
 

higher

 

Madame

 

triumphs

 

intolerable

 
thought
 

greatest

 
tirades
 

morality