FREE BOOKS

Author's List




PREV.   NEXT  
|<   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100  
101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   >>   >|  
ot hot enough, or was not put down firmly. If only one side of an impression fails to stick, it is usually because the tool was unevenly impressed. If an impression is blurred, and the gold has a frosted look, it is because the leather has been burned, either because the tool was too hot, or kept down too long, or the preparation was too fresh. To mend double or burnt impressions the leather should be wetted and left to soak a short time, and the gold can be picked out with a wooden point. When nearly dry the impressions should be put in again with a cool tool, reglaired and retooled. It is very difficult to mend neatly if the leather is badly burnt. Sometimes it may be advisable to paste a piece of new leather over a burnt impression before retooling. If a tool is put down in the wrong place by mistake, it is difficult to get the impression out entirely. The best thing to do is to damp the leather thoroughly, leave it to soak for a little while, and pick up the impression with the point of a pin. It is best not to use an iron point for this, as iron is apt to blacken the leather. Leather is difficult to tool if it has not a firm surface, or if it is too thin to give a little when the tool is struck. When the tooling is finished, and the loose gold removed with the rubber, the leather should be washed with benzine, to remove any grease and any fragments of gold that may be adhering by the grease only. The inside margins of the boards are next polished and varnished, and the end papers pasted down. Or if there is a leather joint, the panel left on the board may be filled in (see Chapter XVII). When the end papers are dry, the sides and back may be polished and varnished. It is important that the varnish should be of good quality, and not too thick, or it will in time turn brown and cause the gold to look dirty. Some of the light French spirit varnishes prepared for bookbinders answer well. Varnish must be used sparingly, and is best applied with a pad of cotton-wool. A little varnish is poured on to the pad, which is rubbed on a piece of paper until it is seen that the varnish comes out thinly and evenly. It is then rubbed on the book with a spiral motion. The quicker the surface is gone over, provided every part is covered, the better. Varnish will not work well if it is very cold, and in cold weather both the book and varnish bottle should be slightly warmed before use. Should an excess of varnish be
PREV.   NEXT  
|<   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100  
101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   >>   >|  



Top keywords:

leather

 

varnish

 

impression

 
difficult
 

polished

 

rubbed

 

varnished

 

papers

 
surface
 

Varnish


grease

 
impressions
 

important

 
warmed
 

excess

 

quality

 

Chapter

 
slightly
 

pasted

 

covered


filled

 
bottle
 

weather

 

applied

 

cotton

 

thinly

 
sparingly
 

Should

 
poured
 

evenly


French

 

provided

 

spirit

 

quicker

 
spiral
 
answer
 
bookbinders
 

prepared

 

motion

 

varnishes


picked

 

wooden

 
double
 

wetted

 

Sometimes

 

advisable

 
neatly
 

reglaired

 

retooled

 

preparation