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hot enough, or was not put down firmly. If only one side of an
impression fails to stick, it is usually because the tool was unevenly
impressed. If an impression is blurred, and the gold has a frosted
look, it is because the leather has been burned, either because the
tool was too hot, or kept down too long, or the preparation was too
fresh.
To mend double or burnt impressions the leather should be wetted and
left to soak a short time, and the gold can be picked out with a
wooden point. When nearly dry the impressions should be put in again
with a cool tool, reglaired and retooled.
It is very difficult to mend neatly if the leather is badly burnt.
Sometimes it may be advisable to paste a piece of new leather over a
burnt impression before retooling.
If a tool is put down in the wrong place by mistake, it is difficult
to get the impression out entirely. The best thing to do is to damp
the leather thoroughly, leave it to soak for a little while, and pick
up the impression with the point of a pin. It is best not to use an
iron point for this, as iron is apt to blacken the leather.
Leather is difficult to tool if it has not a firm surface, or if it is
too thin to give a little when the tool is struck.
When the tooling is finished, and the loose gold removed with the
rubber, the leather should be washed with benzine, to remove any
grease and any fragments of gold that may be adhering by the grease
only.
The inside margins of the boards are next polished and varnished, and
the end papers pasted down. Or if there is a leather joint, the panel
left on the board may be filled in (see Chapter XVII).
When the end papers are dry, the sides and back may be polished and
varnished.
It is important that the varnish should be of good quality, and not
too thick, or it will in time turn brown and cause the gold to look
dirty. Some of the light French spirit varnishes prepared for
bookbinders answer well. Varnish must be used sparingly, and is best
applied with a pad of cotton-wool. A little varnish is poured on to
the pad, which is rubbed on a piece of paper until it is seen that the
varnish comes out thinly and evenly. It is then rubbed on the book
with a spiral motion. The quicker the surface is gone over, provided
every part is covered, the better. Varnish will not work well if it is
very cold, and in cold weather both the book and varnish bottle should
be slightly warmed before use. Should an excess of varnish be
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