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ith shame he did not falter. "No," whispered back his father. "I shall tell no one. I want the children to feel nothing but affection and respect for you, to look up to you. Nothing must smirch Stella's beautiful love for you, Paul. It is something you cannot prize too highly, and will some day know the true value of." "I will try not to let anything," said Paul gravely, and there came a tap at the door. "Is daddy here?" asked Stella's voice, and then, opening the door, "Oh, you are in the dark. Poor Paul, weren't you frightened?" "Oh, no," said Paul simply, "father is here." And then a happy little procession went down the stairs to supper--Paul in his father's arms, Stella running in front to open doors. Exclamations of joy greeted them as they appeared, for this was Paul's first appearance below stairs. And his mother, who at the first glance saw that it was her old, happy Paul who had come back to them, and that all the shadow which had come between them had been cleared away, felt happier than she had for many a long day. For one wilful mischievous boy can not only make himself thoroughly unhappy, but everyone about him becomes unhappy too. A week or two later they left Moor Farm for home, their holiday ended. "Well," said Mr. Anketell, drawing a deep breath as he took his seat beside them in the train, "it seems to me we lost nothing in the way of excitement by not going to Norway. Dartmoor was able to give us as much as we could manage with." "I have never regretted the change," said Mrs. Anketell heartily, "have you children?" "Oh, no," cried Michael, excitedly. "We had adventures all the time, and shooting, and everything." "Yes," said Paul, laughing ruefully, "and I provided most of them." ***END OF THE PROJECT GUTENBERG EBOOK PAUL THE COURAGEOUS*** ******* This file should be named 26087.txt or 26087.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/6/0/8/26087 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing
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