with him
because the fate of his discovery appears to me typical of the
acceptance of _my own_. If I were to publish my own theory, which gives
sexuality predominance in the aetiology of psychoneurotic disorders (see
the allusion to the eighteen-year-old patient--_"Nature, Nature!"_), the
same criticism would be leveled at me, and it would even now meet with
the same contempt.
When I follow out the dream thoughts closely, I ever find only _scorn_
and _contempt_ as _correlated with the dream's absurdity_. It is well
known that the discovery of a cracked sheep's skull on the Lido in
Venice gave Goethe the hint for the so-called vertebral theory of the
skull. My friend plumes himself on having as a student raised a hubbub
for the resignation of an aged professor who had done good work
(including some in this very subject of comparative anatomy), but who,
on account of _decrepitude_, had become quite incapable of teaching. The
agitation my friend inspired was so successful because in the German
Universities an _age limit_ is not demanded for academic work. _Age is
no protection against folly._ In the hospital here I had for years the
honor to serve under a chief who, long fossilized, was for decades
notoriously _feebleminded_, and was yet permitted to continue in his
responsible office. A trait, after the manner of the find in the Lido,
forces itself upon me here. It was to this man that some youthful
colleagues in the hospital adapted the then popular slang of that day:
"No Goethe has written that," "No Schiller composed that," etc.
We have not exhausted our valuation of the dream work. In addition to
condensation, displacement, and definite arrangement of the psychical
matter, we must ascribe to it yet another activity--one which is,
indeed, not shared by every dream. I shall not treat this position of
the dream work exhaustively; I will only point out that the readiest
way to arrive at a conception of it is to take for granted, probably
unfairly, that it _only subsequently influences the dream content which
has already been built up_. Its mode of action thus consists in so
cooerdinating the parts of the dream that these coalesce to a coherent
whole, to a dream composition. The dream gets a kind of facade which, it
is true, does not conceal the whole of its content. There is a sort of
preliminary explanation to be strengthened by interpolations and slight
alterations. Such elaboration of the dream content must not be t
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