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either be impossible for it _afterwards_ to induce us to associate them with the presence of tangible bodies distant and different from the eye: or, (_secondly_), such an association would merely give birth to the abstract knowledge or conclusion, that these bodies were in one place, while the sensations suggesting them were felt to be associated with something in another place; colour would not be seen--as it is--incarnated with body: or, (_thirdly_), we should be compelled to postulate for the eye, as many philosophers have done, in our opinion, most unwarrantably, "a faculty of projection"[37] by which it might dissolve the association between itself and its sensations, throwing off the latter in the form of colours over the surface of things, and reversing the old Epicurean doctrine that perception is kept up by the transit to the sensorium of the ghosts or _simulacra_ of things, Quae, quasi membranae, summo de corpore rerum, Direptae, volitant ultro citroque per auras.[38] It is difficult to say whether the hypothesis of "cast-off films" is more absurd when we make the films come from things to us as spectral effluxes, or go from us to them in the semblance of colours. [37] We observe that even Mueller speaks of the "faculty of projection" as if he sanctioned and adopted the hypothesis.--See _Physiology_, vol. ii. p. 1167. [38] Lucretius. But according to the present view no such incomprehensible faculty, no such crude and untenable hypothesis, is required. _Before_ the touch has informed us that we have an eye, _before_ it has led us to associate any thing visual with the eye, it has _already_ taught us to associate in place the sensations of vision (colours) with the presence of tangible objects which are not the eye. Therefore, when the touch discovers the eye, and induces us to associate vision in some way with it, it cannot be the particular sensations of vision called colours which it leads us to associate with that organ; for these have been already associated with something very different. If it be not colours, then what is it that the touch compels us to associate with the eye? We answer that it is the abstract _condition_ of impressions as the general law on which all seeing depends, but as quite distinct from the particular visual sensations apprehended in virtue of the observance of that law. Nor is it at all difficult to understand how this general condition comes t
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