but a real
swell like the magnificent young men in the movies. Perhaps as she
descended Cousin Emma's steps and went down the path between the tiger
lilies and peonies that flanked the graveled path with Ted Holiday beside
her, Madeline Taylor had her one perfect moment.
Only the "ordinary" Fred, on hearing his wife's voluble descriptions
later of Madeline's "grand" young man failed to be suitably impressed.
"Them swells don't mean no girl no good no time," he had summed up his
views with sententious accumulation of negatives.
But little enough did either Ted or Madeline reck of Fred's or any other
opinion as they fared their blithe and care-free way that gala week. The
rest of the world was supremely unimportant as they went canoeing and
motoring and trolley riding and mountain climbing and "movieing"
together. Madeline strove with all her might to dress and act and _be_ as
nearly like those other girls after whom she was modeling herself as
possible, to do nothing, which could jar on Ted in any way or remind him
that she was "different." In her happiness and sincere desire to please
she succeeded remarkably well in making herself superficially at least
very much like Ted's own "kind of girl" and though with true masculine
obtuseness he was entirely unaware of the conscious effort she was
putting into the performance nevertheless he enjoyed the results in full
and played up to her undeniable charms with his usual debonair and
heedless grace and gallantry.
The one thing that had been left out of the program for lack of suitable
opportunity was dancing, an omission not to be tolerated by two strenuous
and modern young persons who would rather fox trot than eat any day.
Accordingly on Thursday it was agreed that they should repair to the
White Swan, a resort down the river, famous for its excellent cuisine,
its perfect dance floor and its "snappy" negro orchestra. Both Ted and
Madeline knew that the Swan had also a reputation of another less
desirable sort, but both were willing to ignore the fact for the sake of
enjoying the "jolliest jazz on the river" as the advertisement read. The
dance was the thing.
It was, indeed. The evening was decidedly the best yet, as both averred,
pirouetting and spinning and romping through one fox trot and one step
after another. The excitement of the music, the general air of
exhilaration about the place and their own high-pitched mood made the
occasion different from the other ga
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