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but a real swell like the magnificent young men in the movies. Perhaps as she descended Cousin Emma's steps and went down the path between the tiger lilies and peonies that flanked the graveled path with Ted Holiday beside her, Madeline Taylor had her one perfect moment. Only the "ordinary" Fred, on hearing his wife's voluble descriptions later of Madeline's "grand" young man failed to be suitably impressed. "Them swells don't mean no girl no good no time," he had summed up his views with sententious accumulation of negatives. But little enough did either Ted or Madeline reck of Fred's or any other opinion as they fared their blithe and care-free way that gala week. The rest of the world was supremely unimportant as they went canoeing and motoring and trolley riding and mountain climbing and "movieing" together. Madeline strove with all her might to dress and act and _be_ as nearly like those other girls after whom she was modeling herself as possible, to do nothing, which could jar on Ted in any way or remind him that she was "different." In her happiness and sincere desire to please she succeeded remarkably well in making herself superficially at least very much like Ted's own "kind of girl" and though with true masculine obtuseness he was entirely unaware of the conscious effort she was putting into the performance nevertheless he enjoyed the results in full and played up to her undeniable charms with his usual debonair and heedless grace and gallantry. The one thing that had been left out of the program for lack of suitable opportunity was dancing, an omission not to be tolerated by two strenuous and modern young persons who would rather fox trot than eat any day. Accordingly on Thursday it was agreed that they should repair to the White Swan, a resort down the river, famous for its excellent cuisine, its perfect dance floor and its "snappy" negro orchestra. Both Ted and Madeline knew that the Swan had also a reputation of another less desirable sort, but both were willing to ignore the fact for the sake of enjoying the "jolliest jazz on the river" as the advertisement read. The dance was the thing. It was, indeed. The evening was decidedly the best yet, as both averred, pirouetting and spinning and romping through one fox trot and one step after another. The excitement of the music, the general air of exhilaration about the place and their own high-pitched mood made the occasion different from the other ga
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