rty before Tony went home to her Hill. The great ball room at
Crest House had been decorated with a network of greenery and crimson
rambler roses. A ruinous-priced, _de luxe_ orchestra had been brought
down from the city. The girls had saved their prettiest gowns and looked
their rainbow loveliest for the crowning event.

Tony was wearing an exquisite white chiffon and silver creation, with
silver slippers and a silver fillet binding her dark hair. Alan had sent
her some wonderful orchids tied with silver ribbon, and these she wore;
but no jewelry whatever, not even a ring. There was something
particularly radiant about her young loveliness that night. The young men
hovered about her like honey bees about a rose and at every dance they
cut in and cut in until her white and silver seemed to be drifting from
one pair of arms to another.

Tony was very gay and bountiful and impartial in her smiles and favors,
but all the time she waited, knowing that presently would come the one
dance to which there would be no cutting in, the dance that would make
the others seem nothing but shadows.

By and by the hour struck. She saw Alan leave his place by the window
where he had been moodily lounging, saw him come toward her, taller
than any man in the room, distinguished--a king among the rest, it
seemed to Tony, waiting, longing for his coming? yet half dreading it,
too. For the sooner he came, the sooner it must all end. She was with
Hal at the moment, waiting for the music to begin, but as Alan
approached she turned to her companion with a quick appeal in her eyes
and a warm flush on her cheeks.

"I am sorry, Hal," she said, low in his ear. "But this is Alan's. He is
going away to-morrow. Forgive me."

Hal turned, stared at Alan Massey, turned back to Tony, bowed and
moved away.

"Hanged if there isn't something magnificent about the fellow," he
thought. "No matter how you detest him there is something about him that
gets you. I wonder how far he has gone with Tony. Gee! It's a rotten
combination. But Lordy! How they can dance--those two!"

Never as long as she lived was Tony Holiday to forget that dance with
Alan Massey. As a musician pours himself into his violin, as a poet puts
his soul into his sonnet, as a sculptor chisels his dream in marble, so
her companion flung his passion and despair and imploring into his
dancing. They forgot the others, forgot everything but themselves. They
might have been dancing alone on th