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The Project Gutenberg EBook of English Poets of the Eighteenth Century by Selected and Edited with an Introduction by Ernest Bernbaum This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: English Poets of the Eighteenth Century Author: Selected and Edited with an Introduction by Ernest Bernbaum Release Date: November 21, 2003 [EBook #10161] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ENGLISH POETS *** Produced by Charles Aldarondo, Keren Vergon, Jayam Subramanian and PG Distributed Proofreaders ENGLISH POETS OF THE EIGHTEENTH CENTURY SELECTED AND EDITED WITH AN INTRODUCTION BY ERNEST BERNBAUM PROFESSOR OF ENGLISH AT THE UNIVERSITY OF ILLINOIS 1918 PREFACE The text of this collection of poetry is authentic and not bowdlerized. The general reader will, I hope, be gratified to find that its pages display no pedantic or scholastic traits. His pleasure in the poetry itself will not be distracted by a marginal numbering of the lines; by index-figures and footnotes; or by antiquated peculiarities of spelling, capitalization, and elision. Except where literal conventions are essential to the poet's purpose,--as in _The Castle of Indolence, The Schoolmistress_, or Chatterton's poems,--I have followed modern usage. Dialect words are explained in the glossary; and the student who may wish to consult the context of any passage will find the necessary references in the unusually full table of contents. Whenever the title of a poem gives too vague a notion of its substance, or whenever its substance is miscellaneous, I have supplied [bracketed] captions for the extracts; except for these, there is nothing on the pages of the text besides the poets' own words. Originality is not the proper characteristic of an anthologist, and in the choice of extracts I have rarely indulged my personal likings when they conflicted with time-honored preferences; yet this anthology,--the first published in a projected series of four or five volumes comprising the English poets from Elizabethan to Victorian times,--has certain minor features that may be deemed objectionably novel. Much the greater portion of the volume has of
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