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d-bye, Miss Crawshaw. VIOLA. Just say it to see how it sounds. CLIFTON. Good-bye, Miss Wurzel-Flummery. VIOLA. (smiling happily). No, not Miss, Mrs. [She goes out.] CLIFTON. (looking in surprise from her to him). You don't mean-- RICHARD. Yes; and I'm taking the money after all, Mr. Clifton. CLIFTON. Dear me, what a situation! (Thoughtfully to himself) I wonder how a rough scenario would strike the managers. RICHARD. Poor Mr. Clifton! CLIFTON. Why poor? RICHARD. You missed all the best part. You didn't hear what I said to Crawshaw about money before you came. CLIFTON (thoughtfully). Oh I was it very--(Brightening up) But I expect Uncle Antony heard. (After a pause) Well, I must be getting on. I wonder if you've noticed any important papers lying about, in connection with the Great Missenden Canal Company--a most intricate case, in which my clerk and I--(He has murmured himself across to the fireplace, and the fragments of his important case suddenly catch his eye. He picks up one of the fragments.) Ah, yes. Well, I shall tell my clerk that we lost the case. He will be sorry. He had got quite fond of that canal. (He turns to go, but first says to MERITON) So you're taking the money, Mr. Meriton? RICHARD. Yes. CLIFTON. And Mr. Crawshaw too? RICHARD. Yes. CLIFTON (to himself as he goes out). They are both taking it. (He stops and looks up to UNCLE ANTONY with a smile.) Good old Uncle Antony--he knew--he knew! (MERITON stands watching him as he goes.) THE LUCKY ONE A PLAY IN THREE ACTS CHARACTERS. GERALD FARRINGDON. BOB FARRINGDON (his elder brother). SIR JAMES FARRINGDON (his father). LADY FARRINGDON (his mother). MISS FARRINGDON (his great-aunt). PAMELA CAREY (his betrothed). HENRY WENTWORTH (his friend). THOMAS TODD (his friend). LETTY HERBERT (his friend). MASON (his old nurse). ACT I. At SIR JAMES FARRINGDON'S in the country. ACT II. A private hotel in Dover Street. Two months later. ACT III. At SIR JAMES FARRINGDON'S again. Three months later. ACT I [SCENE.--The hall of SIR JAMES FARRINGDON'S house in the country.] [It is a large and pleasantly unofficial sort of room, used as a meeting-place rather than a resting place. To be in it pledges you to nothing; whereas in the billiard-room you are presumably pledged to billiards. The French windows at the back open on to lawns; the door on the r
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