he
slaves in Aphorism 260 of the work "Beyond Good and Evil" (see also Note
B.)

Chapter LV. The Spirit of Gravity.

(See Note on Chapter XLVI.) In Part II. of this discourse we meet with
a doctrine not touched upon hitherto, save indirectly;--I refer to the
doctrine of self-love. We should try to understand this perfectly before
proceeding; for it is precisely views of this sort which, after having
been cut out of the original context, are repeated far and wide as
internal evidence proving the general unsoundness of Nietzsche's
philosophy. Already in the last of the "Thoughts out of Season"
Nietzsche speaks as follows about modern men: "...these modern creatures
wish rather to be hunted down, wounded and torn to shreds, than to
live alone with themselves in solitary calm. Alone with oneself!--this
thought terrifies the modern soul; it is his one anxiety, his one
ghastly fear" (English Edition, page 141). In his feverish scurry to
find entertainment and diversion, whether in a novel, a newspaper, or a
play, the modern man condemns his own age utterly; for he shows that in
his heart of hearts he despises himself. One cannot change a condition
of this sort in a day; to become endurable to oneself an inner
transformation is necessary. Too long have we lost ourselves in our
friends and entertainments to be able to find ourselves so soon at
another's bidding. "And verily, it is no commandment for to-day and
to-morrow to LEARN to love oneself. Rather is it of all arts the finest,
subtlest, last, and patientest."

In the last verse Nietzsche challenges us to show that our way is
the right way. In his teaching he does not coerce us, nor does he
overpersuade; he simply says: "I am a law only for mine own, I am not a
law for all. This--is now MY way,--where is yours?"

Chapter LVI. Old and New Tables. Par. 2.

Nietzsche himself declares this to be the most decisive portion of
the whole of "Thus Spake Zarathustra". It is a sort of epitome of his
leading doctrines. In verse 12 of the second paragraph, we learn how he
himself would fain have abandoned the poetical method of expression had
he not known only too well that the only chance a new doctrine has of
surviving, nowadays, depends upon its being given to the world in some
kind of art-form. Just as prophets, centuries ago, often had to have
recourse to the mask of madness in order to mitigate the hatred of those
who did not and could not see as they did; so, to-day, the st