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hem that did honour to the Church. Here a retired wholesale clothier from the East-end of London--a short, tubby gentleman who had recently taken the Manor House--was observed to turn scarlet. A gentleman hitherto unknown to them had signalled his advent among them by an act of munificence that should prove a shining example to all rich men. Mr. Horatio Copper--the reverend gentleman found some difficulty, apparently, in deciphering the name. "Cooper-Smith, sir, with an hyphen," came in a thin whisper, the voice of the still scarlet-faced clothier. Mr. Horatio Cooper-Smith, taking--the Rev. Augustus felt confident--a not unworthy means of grappling to himself thus early the hearts of his fellow-townsmen, had expressed his desire to pay for the expense of a curate entirely out of his own pocket. Under these circumstances, there would be no further talk of a farewell between the Rev. Augustus Cracklethorpe and his parishioners. It would be the hope of the Rev. Augustus Cracklethorpe to live and die the pastor of St. Jude's. A more solemn-looking, sober congregation than the congregation that emerged that Sunday morning from St. Jude's in Wychwood-on-the-Heath had never, perhaps, passed out of a church door. "He'll have more time upon his hands," said Mr. Biles, retired wholesale ironmonger and junior churchwarden, to Mrs. Biles, turning the corner of Acacia Avenue--"he'll have more time to make himself a curse and a stumbling-block." "And if this 'near relation' of his is anything like him--" "Which you may depend upon it is the Case, or he'd never have thought of him," was the opinion of Mr. Biles. "I shall give that Mrs. Pennycoop," said Mrs. Biles, "a piece of my mind when I meet her." But of what use was that? End of Project Gutenberg's The Cost of Kindness, by Jerome K. Jerome *** END OF THIS PROJECT GUTENBERG EBOOK THE COST OF KINDNESS *** ***** This file should be named 866.txt or 866.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/8/6/866/ Produced by Ron Burkey, and Amy Thomte Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.
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