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um Anna jist because I've been kinda rough?" "I am sure He wouldn't!" "He wudn't be s' d--d niggardly, wud He?" "Never! God is love and love doesn't work that way!" At the railway station he was still pouring in his questions. "D'ye believe in prayer?" "Aye." "Well, jist ax sometimes that Anna an' me be together, will ye?" "Aye." A little group of curious bystanders stood on the platform watching the little trembling old man clinging to me as the tendril of a vine clings to the trunk of a tree. "We have just one minute, Father!" "Aye, aye, wan minute--my God, why cudn't ye stay?" "There are so many voices calling me over the sea." "Aye, that's thrue." He saw them watching him and he feebly dragged me away from the crowd. He kissed me passionately, again and again, on the lips. The whistle blew. "All aboard!" the guard shouted. He clutched me tightly and clung to me with the clutch of a drowning man. I had to extricate myself and spring on board. I caught a glimpse of him as the train moved out; despair and a picture of death was on his face. His lips were trembling and his eyes were full of tears. * * * * * A few months later they lowered him to rest beside my mother. I want to go back some day and cover them with a slab of marble, on which their names will be cut, and these words: "Love is Enough." THE END +-----------------------------------+ |Transcriber's Note: | |Inconsistent hyphenization retained| +-----------------------------------+ End of Project Gutenberg's My Lady of the Chimney Corner, by Alexander Irvine *** END OF THIS PROJECT GUTENBERG EBOOK MY LADY OF THE CHIMNEY CORNER *** ***** This file should be named 31765.txt or 31765.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/7/6/31765/ Produced by Suzanne Shell, Joseph R. Hauser and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copyin
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