ars women who are enrolled are entitled to a
little house. No vows are taken, but they assist in choir thrice daily.
There are several hundreds at Ghent, and the Beguinage (ten Wijngaarde)
of Bruges is famous.
_Quests._ Queteuses. Extern Sisters, Poor Clares and Colettines; Lay
Sisters, Dominicanesses, who go out and beg for the community. 'To
quest' is to go alms-begging. The Sisters of Charity are of later
foundation. cf. Translation, D'Emilliane's _Frauds of Romish Monks_
(1691): 'The Farmer [of Purgatory Money] sends some of his Emissaries
into the Fields to carry on the Quest there for the said Souls'; and
_Earthquake . . . Peru_, iii, 303 (1748): 'If the Friars go into the
Country a questing for their Monastery.'
_Swart-Sisters._ Black Nuns. Dominicanesses, a feature of whose dresses
is the cappa, a large black cloak and hood, worn from All Saints' Day
till the 'Gloria' on Easter Eve, and on all great solemnities.
_Jesuitesses._ A common misnomer for the original Congregation founded
by Mary Ward (_ob._ 1645), and named by her 'The Institute of Mary'. It
was not until 1703 that they were fully approved by Clement XI.
p. 78 _Cordeliers._ Observant Franciscans, who follow the strict Rule of
Poverty and observe all the fasts and austerities of the Order. This
name was first given them in France, where later they were known as
Recollects.
* * * * *
* * * *
OROONOKO; OR THE ROYAL SLAVE.
INTRODUCTION.
The tale of _Oroonoko, the Royal Slave_ is indisputedly Mrs. Behn's
masterpiece in prose. Its originality and power have singled it out for
a permanence and popularity none of her other works attained. It is
vivid, realistic, pregnant with pathos, beauty, and truth, and not only
has it so impressed itself upon the readers of more than two centuries,
but further, it surely struck a new note in English literature and one
which was re-echoed far and wide. It has been said that '_Oroonoko_ is
the first emancipation novel', and there is no little acumen in this
remark. Certainly we may absolve Mrs. Behn from having directly written
with a purpose such as animated Mrs. Harriet Beecher Stowe's _Uncle
Tom's Cabin_; but none the less her sympathy with the oppressed blacks,
her deep emotions of pity for outraged humanity, her anger at the
cruelties of the slave-driver aye ready with knout or knife, are
manifest in every line. Beyond the intense
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